"Don Giovanni, K.527, Act II, Scena quarta: Calmatevi, idol mio! (Don Ottavio/Donna Anna)" by Wiener Philharmoniker, Cheryl Studer, Riccardo Muti, Frank Lopardo was released on August 2, 2013. The duration of Don Giovanni, K.527, Act II, Scena quarta: Calmatevi, idol mio! (Don Ottavio/Donna Anna) is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Don Giovanni, K.527, Act II, Scena quarta: Calmatevi, idol mio! (Don Ottavio/Donna Anna)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 7 out of 214. Based on our statistics, Don Giovanni, K.527, Act II, Scena quarta: Calmatevi, idol mio! (Don Ottavio/Donna Anna)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Don Giovanni, K.527, Act II, Scena quarta: Calmatevi, idol mio! (Don Ottavio/Donna Anna) by Wiener Philharmoniker, Cheryl Studer, Riccardo Muti, Frank Lopardo to be Allegro (fast, quick, and bright) because the track has a tempo of 143 BPM, a half-time of 72BPM, and a double-time of 286 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Divertimento No. 6 in G Major, Op. 38: Divertimento No. 6 in G Major, Op. 38 | Carl Maria von Weber, Ensemble 3 Mouvements | G Major | 0 | 9B | 119 BPM | ||
Piano Concerto No. 21 in C Major, K.467: III. Allegro vivace assai | Wolfgang Amadeus Mozart, Paul Badura-Skoda, Jan Lisiecki, Bavarian Radio Symphony Orchestra, Christian Zacharias | C Major | 1 | 8B | 139 BPM | ||
Du bist die Ruh, Op. 59/3, D. 776 | Franz Schubert, Mischa Maisky, Daria Hovora | E♭ Major | 0 | 5B | 67 BPM | ||
Sonata No. 15 in C Major, II. Andante | Maria João Pires | G Major | 1 | 9B | 108 BPM | ||
Rage Over A Lost Penny, Op. 129 | Valentina Lisitsa | G Major | 2 | 9B | 80 BPM | ||
Rhapsodie Orientale, Op. 29: 1. Andante | Alexander Glazunov, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 0 | 3B | 89 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Violin Concerto No. 3 in G Major, K. 216: III. Rondeau: Allegro | Wolfgang Amadeus Mozart, Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | G Major | 1 | 9B | 119 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM |
Section: 0.8473889827728271
End: 0.8514406681060791