"The Wave of the Surging Thoughts: V. March. Move Forward with Confidence" by Daqun Jia, Sinfonia Varsovia, Michał Klauza was released on April 12, 2024. Since The Wave of the Surging Thoughts: V. March. Move Forward with Confidence is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 6 in Daqun Jia: The Wave of the Surging Thoughts & Bashu capriccio by Daqun Jia, Jakub Haufa, Sinfonia Varsovia, Michał Klauza. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. The Wave of the Surging Thoughts: V. March. Move Forward with Confidence is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Wave of the Surging Thoughts: V. March. Move Forward with Confidence by Daqun Jia, Sinfonia Varsovia, Michał Klauza is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata No. 3, Op. 73: II. Andante cantabile | Christian Sinding, Magnus Boye Hansen, Mathias Halvorsen | C Major | 1 | 8B | 174 BPM | ||
Suite No.2 from "Namouna": No. 5, Presto | Édouard Lalo, Estonian National Symphony Orchestra, Neeme Järvi | G Minor | 2 | 6A | 179 BPM | ||
Pan og Syrinx, Op. 49, FS 87 | Carl Nielsen, Bergen Philharmonic Orchestra, Edward Gardner | C Major | 0 | 8B | 87 BPM | ||
Puck "Fleeing from the Dawn" | Geoffrey Gordon, BBC Scottish Symphony Orchestra, Martyn Brabbins | A Major | 2 | 11B | 105 BPM | ||
Violin Concerto “Adrano”: II. Cadenza - senza misura | Samy Moussa, Andrew Wan, Orchestre Symphonique de Montréal, Kent Nagano | E Major | 2 | 12B | 179 BPM | ||
Paria, Act I (Ed. Włodzimierz Ormicki): Introduction | Stanisław Moniuszko, Poznań Opera House Orchestra, Jacek Kaspszyk | C Major | 0 | 8B | 99 BPM | ||
Ma mère l'oye (Cinq pièces enfantines), M. 62: II. Petit Poucet | Maurice Ravel, Paavo Järvi, Cincinnati Symphony Orchestra | C Major | 0 | 8B | 76 BPM | ||
Hassan, DCW 8, Act 5 Scene 2: Prelude to the last scene. With flowing movement | Frederick Delius, Britten Sinfonia Voices, Britten Sinfonia, Jamie Phillips | C Major | 0 | 8B | 84 BPM | ||
Symphony No. 9 in E-Flat Major, Op. 70: II. Moderato | Dmitri Shostakovich, Hong Kong Philharmonic Orchestra, Jaap Van Zweden | G Major | 0 | 9B | 77 BPM | ||
Fantaisies sur le nom de Sacher, for String Orchestra: VIII. | Philippe Hersant, Orchestre royal de chambre de Wallonie, Vahan Mardirossian | E Minor | 0 | 9A | 105 BPM |
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