"Delibes: Lakmé, Act 1: "Lakmé, c'est toi qui nous protèges !" (Nilakantha, Lakmé, Hadji, Mallika)" by Léo Delibes, Alain Lombard, Mady Mesple, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre du Théâtre national de l'Opéra-Comique, Bernadette Antoine, Danielle Millet, Joseph Peyron, Roger Soyer, Orchestre du Theatre National de IOpera-Comique was released on April 4, 1971. The duration of Delibes: Lakmé, Act 1: "Lakmé, c'est toi qui nous protèges !" (Nilakantha, Lakmé, Hadji, Mallika) is about 3 minutes long, at 3:14. Based on our data, "Delibes: Lakmé, Act 1: "Lakmé, c'est toi qui nous protèges !" (Nilakantha, Lakmé, Hadji, Mallika)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 58 in Delibes: Lakmé by Léo Delibes, Mady Mesple, Charles Burles, Orchestre du Théâtre national de l'Opéra-Comique, Alain Lombard. Delibes: Lakmé, Act 1: "Lakmé, c'est toi qui nous protèges !" (Nilakantha, Lakmé, Hadji, Mallika) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Delibes: Lakmé, Act 1: "Lakmé, c'est toi qui nous protèges !" (Nilakantha, Lakmé, Hadji, Mallika) by Léo Delibes, Alain Lombard, Mady Mesple, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre du Théâtre national de l'Opéra-Comique, Bernadette Antoine, Danielle Millet, Joseph Peyron, Roger Soyer, Orchestre du Theatre National de IOpera-Comique is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Candide / Act I: XIV. I Am Easily Assimilated | Leonard Bernstein, Christa Ludwig, London Symphony Orchestra, London Symphony Chorus | D Major | 3 | 10B | 134 BPM | ||
Candide / Act I: 9. Auto-da-fé | Leonard Bernstein, Adolph Green, John Treleavan, Neil Jenkins, Jerry Hadley, Lindsay Benson, Richard Suart, Clive Bayley, London Symphony Chorus, London Symphony Orchestra | C Major | 4 | 8B | 125 BPM | ||
Wagner: Tannhäuser, Act 3: "Wie Todesahnung … O du, mein holder Abendstern" (Wolfram) | Richard Wagner, Dietrich Fischer-Dieskau, Orchester Der Staatsoper Berlin, Franz Konwitschny, Staatsopernorchester Berlin | C Minor | 3 | 5A | 133 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op. 61: No. 3. Song with Chorus "You spotted snakes" | Felix Mendelssohn, Kathleen Battle, Frederica von Stade, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | A Major | 1 | 11B | 86 BPM | ||
Orphée aux enfers, ACT 1, Deuxième tableau: l'Olympe: Pour séduire Alcmène..(Minerve/Choeur/Diane/Cupidon/Venus/Pluton) | Jacques Offenbach, Jean-Paul Fouchécourt/Patricia Petibon/Jennifer Smith/Véronique Gens/Virginie Pochon/Choeurs de l'Opéra National de Lyon/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | G Major | 2 | 9B | 111 BPM | ||
La traviata / Act 2: "Ogni suo aver tal femmina" | Giuseppe Verdi, Rolando Villazón, Helene Schneiderman, Herman Wallen, Luigi Roni, Paul Gay, Wiener Philharmoniker, Carlo Rizzi, Vienna State Opera Chorus, Rupert Huber | C Major | 3 | 8B | 117 BPM | ||
Si mes vers avaient des ailes | Reynaldo Hahn, Susan Graham | E Major | 0 | 12B | 92 BPM | ||
Lucia di Lammermoor / Act 3.: "Tombe degl'avi miei...Fra poco a me ricovero" | Gaetano Donizetti, Luciano Pavarotti, Wiener Opernorchester, Sir Edward Downes | E♭ Major | 2 | 5B | 102 BPM | ||
Rusalka, Op. 114 / Act 1: I pekne vitam | Antonín Dvořák, Franz Hawlata, Livia Aghova, Dana Buresova, Hana Minutillo, Czech Philharmonic Orchestra, Sir Charles Mackerras | A Major | 2 | 11B | 135 BPM | ||
The Mikado: The flowers that bloom in the spring, tra-la | Arthur Sullivan, Valerie Masterson, Peggy Ann Jones, Colin Wright, John Reed, Kenneth Sandford, Royal Philharmonic Orchestra, Royston Nash | A Major | 1 | 11B | 174 BPM |
Section: 0.7231574058532715
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