"Luisa Fernanda / Act III: "Cállate, corazón! Duèrmete y calla!"" by Federico Moreno Torroba, Anna Netrebko, Rolando Villazón, Staatskapelle Dresden, Nicola Luisotti was released on January 1, 2007. Luisa Fernanda / Act III: "Cállate, corazón! Duèrmete y calla!" is about six minutes long, preciously at 5:32, making this song fairly long compared to other songs. The song is number 8 out of 9 in Duets by Anna Netrebko, Rolando Villazón. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Luisa Fernanda / Act III: "Cállate, corazón! Duèrmete y calla!" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Luisa Fernanda / Act III: "Cállate, corazón! Duèrmete y calla!" by Federico Moreno Torroba, Anna Netrebko, Rolando Villazón, Staatskapelle Dresden, Nicola Luisotti is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Caprices, Op. 1 (arr. for guitar): No. 5 in A Minor | Niccolò Paganini, Marco Tamayo | E Minor | 2 | 9A | 69 BPM | ||
Castillos de España: Torija | Federico Moreno Torroba, John Oeth | D Major | 0 | 10B | 86 BPM | ||
Schwanengesang, D. 957: No. 5. Aufenthalt (Delay) (arr. J. K. Mertz) | Franz Schubert, Johann Kaspar Mertz, Gerald Garcia | E Minor | 2 | 9A | 136 BPM | ||
36 Caprices, Op. 20: No. 4, Allegretto | Luigi Legnani, Lucio Matarazzo | E Major | 4 | 12B | 81 BPM | ||
Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: Song without Words, Op. 19, No. 6, Venetian Boat Song I | Felix Mendelssohn, Gerald Garcia | D Minor | 0 | 7A | 133 BPM | ||
Monte Carmelo: "Granada Mía, Ciudad de Barro" | Federico Romero, Guillermo Fernández-Shaw, Federico Moreno Torroba, Gran Orquesta Sinfonica | B♭ Minor | 2 | 3A | 92 BPM | ||
Manhã de carnaval | Luiz Bonfá, Gerald Garcia | G Major | 1 | 9B | 83 BPM | ||
Castillos de Espana II: No. 10. Redaba | Federico Moreno Torroba, Ana Vidovic | D Major | 1 | 10B | 124 BPM | ||
Deutsche Weise (German Air) | Johann Kaspar Mertz, Johannes Möller, Laura Fraticelli | F Major | 0 | 7B | 101 BPM | ||
Sonatina: II. Andante | Federico Moreno Torroba, John Oeth | D Major | 0 | 10B | 74 BPM |
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