"Monte Carmelo: "Granada Mía, Ciudad de Barro"" by Federico Romero, Guillermo Fernández-Shaw, Federico Moreno Torroba, Gran Orquesta Sinfonica was released on December 3, 2013. The duration of Monte Carmelo: "Granada Mía, Ciudad de Barro" is about 3 minutes long, at 3:14. Based on our data, "Monte Carmelo: "Granada Mía, Ciudad de Barro"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Zarzuela: Monte Carmelo by Federico Moreno Torroba, Guillermo Fernández-Shaw, Federico Romero, Gran Orquesta Sinfonica. The song's track number on the album is #1 out of 9 tracks. Based on our data, Spain was the country where this track was produced or recorded. In terms of popularity, Monte Carmelo: "Granada Mía, Ciudad de Barro" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Monte Carmelo: "Granada Mía, Ciudad de Barro" by Federico Romero, Guillermo Fernández-Shaw, Federico Moreno Torroba, Gran Orquesta Sinfonica has a tempo of 92 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Monte Carmelo: "Granada Mía, Ciudad de Barro" being at 92 BPM, the half-time would be 46 BPM with a double-time of 184 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Rosa del Azafrán: Dúo: "Ama, Lo Que Usted Me Pide" | Jacinto Guerrero, Nicasio Tejada | E Major | 9 | 12B | 89 BPM | ||
La Canción del Olvido: "Marinela, Marinela, Con Su Triste Cantinela..." | Federico Romero, G. Fernández Shaw, Jose Serrano, Gran Orquesta Sinfonica | E Minor | 5 | 9A | 86 BPM | ||
Deutschland Lied | Musikkorps der SS Leibstandarte ''Adolf Hitler'' | E♭ Major | 4 | 5B | 94 BPM | ||
5 Sonnets from "The Triumph of Love", Op. 82 (Version for Voice & Orchestra): No. 4, I Think that We Were Children | Charles Villiers Stanford, Sharon Carty, BBC Concert Orchestra, John Andrews | E Minor | 0 | 9A | 170 BPM | ||
Rossini: Messa di Gloria: IX. Qui sedes ad dexteram Patris | Gioacchino Rossini, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Michael Spyres | F Major | 3 | 7B | 140 BPM | ||
5 mélodies populaires grecques: No. 3, Quel galant m'est comparable | Radio Bratislava Symphony Orchestra, Paulina Stark, Dennis Burkh | G Major | 1 | 9B | 0 BPM | ||
Tiene la Jota Más Aire / El Tirar Es Cobardía (feat. Rondalla) | José Oto, Rondalla | C Major | 3 | 8B | 91 BPM | ||
Segon Acte: Duet tu m'estimes | Francesc Rosselló, Joan Benejam, Juanita Coll, Josep Quetglas, Joan Pons, Gerard Pérez Busquier, Gran Orquestra Simfònica | G Major | 1 | 9B | 120 BPM | ||
Requiem: XII. In Paradisum | François Dompierre, Ensemble ArtChoral, Orchestre Filmharmonique, Myriam Leblanc, Francis Choinière | G Minor | 2 | 6A | 90 BPM | ||
Asómate Prenda Mía / Siempre Que Voy a una Boda / Ya Me Canso de Rondar: Jotas de Ronda - Remastered | Jesús Gracia, Rondalla Santamaría, Florencio Santamaría | E Major | 4 | 12B | 82 BPM |
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