- BPM
- 85
- Key
- A♭ Minor
- Camelot
- 1A
La Giara Suite, Op. 41bis: Ia. Preludio - Radio Svizzera Italiana Orchestra, Alfredo Casella Information
- Acousticness
- 78%
- Danceability
- 9%
- Energy
- 2%
- Instrumentalness
- 72%
- Liveness
- 9%
- Loudness
- 37%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 0%
- Loudness
- -38.051 dB
Summary
"La Giara Suite, Op. 41bis: Ia. Preludio" by Radio Svizzera Italiana Orchestra, Alfredo Casella was released on November 17, 1998. With this song being about 5 minutes long, at 4:49, "La Giara Suite, Op. 41bis: Ia. Preludio" by Radio Svizzera Italiana Orchestra, Alfredo Casella is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 17 in Casella: Paganiniana / Serenata / La Giara Suite by Radio Svizzera Italiana Orchestra. La Giara Suite, Op. 41bis: Ia. Preludio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
La Giara Suite, Op. 41bis: Ia. Preludio BPM
The tempo marking of La Giara Suite, Op. 41bis: Ia. Preludio by Radio Svizzera Italiana Orchestra, Alfredo Casella is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
La Giara Suite, Op. 41bis: Ia. Preludio Key
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Scheherazade: The voice of Scheherazade | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 1 | 9B | 132 BPM | |
 | Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | |
 | Serenata, Op. 46 (version for orchestra): IV. Cavatina: Adagio molto e sentimentale ma senza parodia | Radio Svizzera Italiana Orchestra, Alfredo Casella | C Major | 0 | 8B | 99 BPM | |
 | The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 1 in C major, BWV 846 | Luc Beauséjour | B Major | 3 | 1B | 78 BPM | |
 | Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM | |
 | Suite From Abdelzar: I. Rondeau | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 101 BPM | |
 | Serenade for Strings in E Major, Op. 22, B. 52: III. Scherzo. Vivace | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | F Major | 2 | 7B | 130 BPM | |
 | Matthäuspassion, BWV 244: Kommt, ihr Tochter, helft mir klagen (Chorus I and II) | Johann Sebastian Bach, Knaben des Kölner Domchores, Dresdner Kammerchor, Kolner Kammerorchester, Helmut Muller-Bruhl | E Minor | 1 | 9A | 87 BPM | |
 | Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | |
 | Mass No. 6 in E-Flat Major, D. 950: Sanctus: Sanctus Dominus | Franz Schubert, Birte Kulawik, Dorothea Craxton, Cornelia Rosenthal, Raimund Minarschik, Rolf Ehlers, Klaus Schredl, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | D Major | 3 | 10B | 142 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6210842132568359
End: 0.6268184185028076