- BPM
- 101
- Key
- C Minor
- Camelot
- 5A
Circe: XVIII. Gavotte pour les Nymphes - Henri Desmarets, Boston Early Music Festival Orchestra, Paul O'Dette, Stephen Stubbs Information
- Acousticness
- 94%
- Danceability
- 22%
- Energy
- 5%
- Instrumentalness
- 0%
- Liveness
- 40%
- Loudness
- 62%
- Speechiness
- 5%
- Valence
- 20%
- Popularity
- 2%
- Loudness
- -23.078 dB
Summary
Henri Desmarets, Boston Early Music Festival Orchestra, Paul O'Dette, Stephen Stubbs's 'Circe: XVIII. Gavotte pour les Nymphes' came out on May 31, 2023. With Circe: XVIII. Gavotte pour les Nymphes being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Henri Desmarets, Boston Early Music Festival Orchestra, Boston Early Music Festival Chorus, Paul O'Dette, Stephen Stubbs's "Henry Desmarest: Circé" album is number 18 out of 110. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Circe: XVIII. Gavotte pour les Nymphes is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Circe: XVIII. Gavotte pour les Nymphes BPM
We consider the tempo marking of Circe: XVIII. Gavotte pour les Nymphes by Henri Desmarets, Boston Early Music Festival Orchestra, Paul O'Dette, Stephen Stubbs to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
Circe: XVIII. Gavotte pour les Nymphes Key
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: II. Adagio | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | |
 | Lamento della ninfa: II. Amor | Claudio Monteverdi, Ann Wallström, Stefan Lindvall, David Gammelgård, Anders Ericson, Mattias Frostenson, Fredrik Malmberg, Harmony of Voices | A♭ Minor | 1 | 1A | 68 BPM | |
 | Concerts royaux, Concerto No. 2 in D Major: V. Échos | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | |
 | Les fêtes d'Hébé, RCT 41, Act I Scene 3: En vain contre Thélème | Jean-Philippe Rameau, Chantal Santon Jeffery, Orfeo Orchestra, Gyorgy Vashegyi | E♭ Major | 0 | 5B | 99 BPM | |
 | Chamber Sonata No. 1 in B-Flat Major: I. Grave | Élisabeth Jacquet de La Guerre, Musica Fiorita | A Major | 1 | 11B | 52 BPM | |
 | Vénus & Adonis, Act IV, Scene 6: No. 51, First Air for the Attendants of Bellona | Henri Desmarets, Les Talens Lyriques, Christophe Rousset, Chœur de l'Opéra national de Lorraine, Karine Deshayes, Sebastien Droy, Henk Neven, Anna Maria Panzarella, Ingrid Perruche, Jean Teitgen, Anders J. Dahlin | D Minor | 5 | 7A | 66 BPM | |
| Vénus & Adonis, Act I, Scene 3: No. 4, Air and Chorus "De nos transports suivons l'ardeur fidelle" | Henri Desmarets, Les Talens Lyriques, Christophe Rousset, Chœur de l'Opéra national de Lorraine, Karine Deshayes, Sebastien Droy, Henk Neven, Anna Maria Panzarella, Ingrid Perruche, Jean Teitgen, Anders J. Dahlin | C Major | 4 | 8B | 104 BPM | |
 | Cantique Quatrième "sur le bonheur des justes & sur le malheur des resprouvez": II. De quelle douleur profonde | Michel Richard Delalande, Véronique Gens, Noemi Rime, Les Arts Florissants, William Christie | D♭ Minor | 0 | 12A | 67 BPM | |
 | Missa Paschalis, ZWV 7: Credo. Amen come nel gloria | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | D♭ Major | 3 | 3B | 178 BPM | |
 | Armide, LWV 71, Prologue: Entrée (I) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | F Major | 1 | 7B | 139 BPM |
- ISRC
- DEB202259418
- Label
- L-M Records/RCA Records
Section: 0.9860842227935791
End: 0.990619421005249