"Psalm 29, Op. 12: I. Introduction" by Pavel Haas, Dalibor Tolaš, Prague Chamber Philharmonic Orchestra, Bambini Di Praga, Jiří Bělohlávek, Bohumil Kulínský was released on January 1, 1995. Since Psalm 29, Op. 12: I. Introduction is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 5 in the song's album "Schönberg and Haas: Verklärte Nacht". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Czechia. Psalm 29, Op. 12: I. Introduction is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Psalm 29, Op. 12: I. Introduction by Pavel Haas, Dalibor Tolaš, Prague Chamber Philharmonic Orchestra, Bambini Di Praga, Jiří Bělohlávek, Bohumil Kulínský having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bilder aus Osten, Op. 66 (Arr. for String Orchestra by Friedrich Hermann): II. Nicht schnell und sehr gesangvoll zu spielen | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | D♭ Major | 0 | 3B | 71 BPM | ||
D’un cahier d’esquisses, L.112 (Arr. For Cello And Piano By Olivier Hébert-Bouchard) | Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard | A♭ Major | 0 | 4B | 170 BPM | ||
The Wooden Prince, Sz. 60 (Final Version): XIV. The Princess Appears | Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard | F Major | 4 | 7B | 154 BPM | ||
Wind Quintet, Op. 10: II. Preghiera. Misterioso e triste | Pavel Haas, Belfiato Quintet | E Major | 0 | 12B | 83 BPM | ||
Sarlatan / Act 2: Vládu nad esbou uz ztrácím | Pavel Haas, Vladimir Chmelo, Jitka Svobodova, Prague State Opera Orchestra, Israel Yinon | B♭ Major | 2 | 6B | 109 BPM | ||
Higgins: Sonata for Alto Trombone I:II | Timothy Higgins, Tim Higgins, Sophia Kim Cook | B♭ Major | 0 | 6B | 125 BPM | ||
The Young Person's Guide to the Orchestra, Op. 34: III. Variations E-H, Strings. Brillante, alla polacca - Meno mosso - Cominciando lento ma poco a poco accelerando | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | B Major | 0 | 1B | 124 BPM | ||
Wind Quintet, Op. 10: III. Balo eccentrico. Ritmo marcato | Pavel Haas, Belfiato Quintet | F Minor | 1 | 4A | 109 BPM | ||
Piano Concerto No. 2 in G Minor, Op. 16: II. Scherzo. Vivace | Sergei Prokofiev, Andrei Korobeinikov, Ural Philharmonic Orchestra, Dmitry Liss | B Minor | 2 | 10A | 124 BPM | ||
Sarlatan / Act 2: Pst! Nebusit | Pavel Haas, Vladimir Chmelo, Jan Jezek, Luděk Vele, Prague State Opera Orchestra, Israel Yinon | A♭ Minor | 2 | 1A | 73 BPM |
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