George Frideric Handel, Akademie für Alte Musik Berlin, Bernhard Forck made "Concerto Grosso in B Minor, Op. 6 No. 12, HWV 330: II. Allegro" available on January 1, 2020. The duration of Concerto Grosso in B Minor, Op. 6 No. 12, HWV 330: II. Allegro is about 3 minutes long, at 3:18. Based on our data, "Concerto Grosso in B Minor, Op. 6 No. 12, HWV 330: II. Allegro" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in George Frideric Handel, Akademie für Alte Musik Berlin, Bernhard Forck's "Handel: Concerti Grossi, Op. 6, part 2" album is number 29 out of 32. On top of that, Netherlands appears to be the country where this track was created. Concerto Grosso in B Minor, Op. 6 No. 12, HWV 330: II. Allegro is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Concerto Grosso in B Minor, Op. 6 No. 12, HWV 330: II. Allegro by George Frideric Handel, Akademie für Alte Musik Berlin, Bernhard Forck to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM | ||
Symphony No. 40 in G Minor, K. 550: I. Allegro molto | Wolfgang Amadeus Mozart, Capella Istropolitana, Barry Wordsworth | G Minor | 2 | 6A | 109 BPM | ||
Violin Sonata No. 5 in F Major, Op. 24 "Spring": I. Allegro | Ludwig van Beethoven, Gidon Kremer, Martha Argerich | F Major | 1 | 7B | 147 BPM | ||
Pergolesi: Stabat Mater: III. O quam tristis et afflicta | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 1 | 11A | 111 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Cançoneta for Violin and Orchestra | Joaquín Rodrigo, Agustín León Ara, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 0 | 11B | 70 BPM | ||
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM | ||
Fantasia in D Minor, K. 397 | Wolfgang Amadeus Mozart, Alfred Brendel | D Major | 0 | 10B | 126 BPM | ||
Symphony No. 4 in F Major, Op. 2, "Shepherd's Lottery": II. Vivace ma non troppo | William Boyce, Aradia Ensemble, Kevin Mallon | E Major | 0 | 12B | 118 BPM |
Section: 0.7657594680786133
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