Georg Philipp Telemann, La Stagione Frankfurt, Michael Schneider's 'Overture (Suite) in E Minor, TWV 55:e6: Aria IV: [Siciliana]' came out on January 1, 2003. The duration of Overture (Suite) in E Minor, TWV 55:e6: Aria IV: [Siciliana] is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Overture (Suite) in E Minor, TWV 55:e6: Aria IV: [Siciliana]'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 48 in the song's album "Telemann: 6 Orchestral Suites". In this album, this song's track order is #6. Overture (Suite) in E Minor, TWV 55:e6: Aria IV: [Siciliana] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Overture (Suite) in E Minor, TWV 55:e6: Aria IV: [Siciliana] by Georg Philipp Telemann, La Stagione Frankfurt, Michael Schneider having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Musical Offering, BWV 1079, Sonata sopr'il Soggetto Reale à Traversa, Violino e Continuo: II. Allegro | Johann Sebastian Bach, Ricercar Consort, Philippe Pierlot, Maude Gratton, Marc Hantaï, François Fernandez | F♯ Minor | 3 | 11A | 62 BPM | ||
Flute Concerto in G Major, Wq. 169, H. 445: III. Presto | Carl Philipp Emanuel Bach, Peter Thalheimer, Collegium Musica Rara Stuttgart | F♯ Major | 2 | 2B | 99 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 15 in G major, BWV 860 | Luc Beauséjour | F♯ Major | 5 | 2B | 86 BPM | ||
Concerto a 5 in B flat, Op.7, No.3 for Oboe, Strings and Continuo: 1. Allegro | Tomaso Albinoni, Heinz Holliger, I Musici | B♭ Major | 3 | 6B | 188 BPM | ||
Galliard | William Brade, The Royal Wind Music, Paul Leenhouts | A♭ Major | 1 | 4B | 75 BPM | ||
Pièces de clavecin, Livre II, Ordre 6: VIII. Le Moucheron | François Couperin, Angela Hewitt | B♭ Major | 2 | 6B | 89 BPM | ||
Mensa sonora / PARS I (In D Major): 6. Gigue - Sonatina. Adagio | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 2 | 3B | 82 BPM | ||
Telemann: Concerto for Flute, Oboe d'amore and Viola d'amore in E Major, TWV 53:E1: I. Andante | Georg Philipp Telemann, Emmanuel Pahud, Albrecht Mayer, Berliner Barock Solisten, Wolfram Christ, Rainer Kussmaul | D♭ Minor | 2 | 12A | 180 BPM | ||
Suite No. 6 in D Major, Z. 667: II. Almand | Henry Purcell, Richard Egarr | C Major | 1 | 8B | 92 BPM | ||
Concerto Armonico No. 1 in G Major: Un poco andante | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E♭ Minor | 1 | 2A | 103 BPM |
Section: 0.6621651649475098
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