Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel made "Mensa sonora / PARS I (In D Major): 6. Gigue - Sonatina. Adagio" available on January 1, 1988. The duration of Mensa sonora / PARS I (In D Major): 6. Gigue - Sonatina. Adagio is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Mensa sonora / PARS I (In D Major): 6. Gigue - Sonatina. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 47 in Biber: Mensa Sonora by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Mensa sonora / PARS I (In D Major): 6. Gigue - Sonatina. Adagio is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Mensa sonora / PARS I (In D Major): 6. Gigue - Sonatina. Adagio by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chamber Sonata No. 3 in D Major: V. Allegro | Élisabeth Jacquet de La Guerre, Musica Fiorita | A Minor | 1 | 8A | 89 BPM | ||
Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: III. Aria | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Concerto in G Major, S. 213: 1. Allegro (I) | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 2 | 3B | 123 BPM | ||
Concerto No 9 in A minor - Adagio | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | E Major | 0 | 12B | 84 BPM | ||
Concerto grosso in F Major, Op. 6, No. 2 HWV 320: IV. Allegro, ma non troppo | George Frideric Handel, Simon Standage, Elizabeth Wilcock, Anthony Pleeth, David Reichenberg, Sophia McKenna, Jeremy Ward, Robert Woolley, Trevor Pinnock, The English Concert | D Minor | 2 | 7A | 134 BPM | ||
Suite pour quatre parties de violes, H. 545: III. Sarabande | Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel | D♭ Minor | 1 | 12A | 135 BPM | ||
Trio in A minor, Op. 37/5: I. Vivace | Joseph Bodin de Boismotier, Dorothee Oberlinger | A♭ Minor | 1 | 1A | 64 BPM | ||
Scarlatti, A.: Concerto Grosso No. 1 in F Minor: IV. Allemande (Allegro) | Alessandro Scarlatti, Europa Galante, Fabio Biondi | E Minor | 1 | 9A | 117 BPM | ||
Symphony in E Minor, H. 652, Wq. 177: III. Allegro | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 140 BPM | ||
Suite Premiere - Vi. Marche Espagnole (Charles Desmazures) | Grupo de musica barroca La Folia/Pedro Bonet | E♭ Minor | 2 | 2A | 133 BPM |
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