"Pièces de viole, Book 4, Suite d'un goût étranger: XXVIII. La Rêveuse" by Marin Marais, Jean-Guihen Queyras, Alexandre Tharaud was released on January 27, 2023. With this song being about 5 minutes long, at 4:56, "Pièces de viole, Book 4, Suite d'un goût étranger: XXVIII. La Rêveuse" by Marin Marais, Jean-Guihen Queyras, Alexandre Tharaud is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Marin Marais, Jean-Guihen Queyras, Alexandre Tharaud's "Marin Marais: Folies d'Espagne, La Rêveuse & Other Works" album is number 5 out of 17. On top of that, France appears to be the country where this track was created. Pièces de viole, Book 4, Suite d'un goût étranger: XXVIII. La Rêveuse is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pièces de viole, Book 4, Suite d'un goût étranger: XXVIII. La Rêveuse by Marin Marais, Jean-Guihen Queyras, Alexandre Tharaud to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Cello Concerto in A minor, op. 129: Cello Concerto in A minor, op. 129: I. Nicht zu schnell | Robert Schumann, Jean-Guihen Queyras, Freiburger Barockorchester, Pablo Heras-Casado | A Minor | 0 | 8A | 119 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
Première Gymnopédie | Erik Satie, Alexandre Tharaud | G Major | 0 | 9B | 76 BPM | ||
Piece en forme de habanera (arr. N. Mercz): Vocalise-etude en forme de habanera | Nora Mercz, Maurice Ravel, Janos Balint | G Minor | 0 | 6A | 70 BPM | ||
Chopin: Mazurka No. 41 in C-Sharp Minor, Op. 63 No. 3 | Frédéric Chopin, Alexandre Tharaud | D♭ Minor | 1 | 12A | 128 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
La valse d'Amélie (From "Amélie") | Yann Tiersen, Alexandre Tharaud | A Minor | 0 | 8A | 66 BPM | ||
Piano Quartet in E-Flat Major, Op. 47: III. Andante cantabile | Robert Schumann, Isabelle Faust, Antoine Tamestit, Jean-Guihen Queyras, Alexander Melnikov | B♭ Major | 0 | 6B | 78 BPM | ||
Romance Op. 23 | Amy Beach, Bomsori, Julia Okruashvili | A Major | 1 | 11B | 87 BPM | ||
Dolly, Op. 56: 1. Berceuse | Gabriel Fauré, Katia Labèque, Marielle Labèque | E Major | 0 | 12B | 63 BPM |
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