"Unaccompanied Cello Suite No. 5 in C Minor, BWV 1011: II. Allemande" by Johann Sebastian Bach, Yo-Yo Ma was released on August 17, 2018. Unaccompanied Cello Suite No. 5 in C Minor, BWV 1011: II. Allemande is about six minutes long, preciously at 5:46, making this song fairly long compared to other songs. There are a total of 36 in the song's album "Six Evolutions - Bach: Cello Suites". In this album, this song's track order is #8. Unaccompanied Cello Suite No. 5 in C Minor, BWV 1011: II. Allemande is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Unaccompanied Cello Suite No. 5 in C Minor, BWV 1011: II. Allemande by Johann Sebastian Bach, Yo-Yo Ma having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude In D Major, BWV 925 : Prelude In D Major, BWV 925 | Janos Sebestyen, Johann Sebastian Bach | D Major | 3 | 10B | 139 BPM | ||
Fancy on a Bach Air | John Corigliano, Yo-Yo Ma | G Major | 1 | 9B | 88 BPM | ||
Prelude In F Major, BWV 928 : Prelude In F Major, BWV 928 | Janos Sebestyen, Johann Sebastian Bach | F Major | 2 | 7B | 140 BPM | ||
Beau Soir, L. 6 | Claude Debussy, Yo-Yo Ma, Kathryn Stott | F♯ Minor | 0 | 11A | 178 BPM | ||
Adagio and Allegro in D minor | Carl Friedrich Abel, Hille Perl | D♭ Minor | 0 | 12A | 115 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice) - Arranged for cello and piano / Act 2: Dance of the Blessed Spirits (Reigen seliger Geister) | Christoph Willibald Gluck, Mischa Maisky, Pavel Gililov | B Minor | 1 | 10A | 66 BPM | ||
Suite No. 1 in G Major BWV 1007.: VI. Gigue | Johann Sebastian Bach, Jean-Guihen Queyras | D Major | 1 | 10B | 117 BPM | ||
Herz und Mund und Tat und Leben, BWV 147: Chorale: Jesus bleibt meine Freude (Chorus) | Johann Sebastian Bach, Ingrid Kertesi, Jozsef Mukk, Judit Nemeth, Istvan Gati, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Matyas Antal | G Major | 1 | 9B | 66 BPM | ||
Concerto a 5 In D Minor, Op.9, No.2 For Oboe, Strings And Continuo: 2. Adagio | Tomaso Albinoni, David Reichenberg, The English Concert, Trevor Pinnock | A Major | 1 | 11B | 68 BPM | ||
Pavanne in F-sharp minor | Louis Couperin, Richard Egarr | E Minor | 1 | 9A | 68 BPM |
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