Johann Sebastian Bach, Jean-Guihen Queyras made "Suite No. 1 in G Major BWV 1007.: VI. Gigue" available on October 9, 2007. With Suite No. 1 in G Major BWV 1007.: VI. Gigue being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Sebastian Bach, Jean-Guihen Queyras's "J.S. Bach: Complete Cello Suites" album is number 6 out of 36. On top of that, France appears to be the country where this track was created. In terms of popularity, Suite No. 1 in G Major BWV 1007.: VI. Gigue is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Suite No. 1 in G Major BWV 1007.: VI. Gigue by Johann Sebastian Bach, Jean-Guihen Queyras to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso In C Minor, Op. 6, No. 3 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Anna Holbling, Quido Holbling, Daniela Ruso, Capella Istropolitana | C Minor | 1 | 5A | 92 BPM | ||
Sonata in D Major, K.119: Allegro | Domenico Scarlatti, Daria van den Bercken | D Major | 2 | 10B | 126 BPM | ||
Les plaisirs: Sarabande | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 144 BPM | ||
Brandenburg Concerto No. 1 in F, BWV 1046: 3. Allegro | Johann Sebastian Bach, Hansheinz Schneeberger, Manfred Clement, Hermann Baumann, Werner Meyendorf, Karl Kolbinger, Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | F Major | 4 | 7B | 117 BPM | ||
Double Concerto for 2 Violins, Strings & Continuo in D Minor, BWV 1043: II. Largo ma non tanto | Johann Sebastian Bach, Elizabeth Wilcock, Simon Standage, The English Concert, Trevor Pinnock | B Minor | 0 | 10A | 180 BPM | ||
Concerto No 6 in C minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | B Minor | 2 | 10A | 104 BPM | ||
Prelude In F Major, BWV 928 : Prelude In F Major, BWV 928 | Janos Sebestyen, Johann Sebastian Bach | F Major | 2 | 7B | 140 BPM | ||
Concerto for Cello and Orchestra in D Major, Hob.VIIb:2: Concerto for Cello and Orchestra in D Major, Hob.VIIb:2: I. Allegro moderato | Franz Joseph Haydn, Freiburger Barockorchester, Jean-Guihen Queyras, Petra Mullejans | F♯ Minor | 1 | 11A | 127 BPM | ||
Quartet in G major / Sol majeur / G-dur: II. Vivace - Moderato - Vivace | Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz | E♭ Minor | 2 | 2A | 115 BPM | ||
Sinfonia in E major, RV 132: II. Andante | Karoly Botvay | A Major | 0 | 11B | 79 BPM |
Section: 0.6378211975097656
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