"Exaudi, Deus, Deprecationem Meam: Ps.60" by Traditional, Harkeriana was released on May 9, 2018. The duration of Exaudi, Deus, Deprecationem Meam: Ps.60 is about 3 minutes long, at 3:02. Based on our data, "Exaudi, Deus, Deprecationem Meam: Ps.60" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 56 in the song's album "Psalterium Currens (Psalms 57-105b)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Based on our statistics, Exaudi, Deus, Deprecationem Meam: Ps.60's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Exaudi, Deus, Deprecationem Meam: Ps.60 by Traditional, Harkeriana having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alleluya | Antoine Busnois, Capilla Flamenca | E♭ Major | 1 | 5B | 80 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: III. Come, Let Us Worship | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | ||
The English Dance Master, Part II: Newcastle | John Playford, Baltimore Consort | G Major | 2 | 9B | 108 BPM | ||
Allegri: Miserere - 06. Cor Mundum Crea in Me | The Tallis Scholars, Peter Phillips | G Major | 0 | 9B | 77 BPM | ||
Tempo Della Chiesa: Pater Noster | Canonici Regolari Si Sant'Antimo | G Major | 0 | 9B | 86 BPM | ||
1st Antiphon & Small Litany | Roman Hurko | B♭ Minor | 1 | 3A | 85 BPM | ||
The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: IV. Hallelujah | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | C Major | 1 | 8B | 107 BPM | ||
Largire nunc mitissime | Jacob Obrecht, Cappella Mariana, Vojtěch Semerád | C Major | 2 | 8B | 95 BPM | ||
Quam pulchra es, JD 44 | John Dunstable, Tonus Peregrinus, Antony Pitts | B♭ Major | 1 | 6B | 125 BPM |
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