Ludwig van Beethoven, Adrian Brendel, Alfred Brendel made "12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation V" available on June 7, 2021. With 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation V being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 29 out of 167 in Beethoven: Classical Summer by Ludwig van Beethoven. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation V is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation V by Ludwig van Beethoven, Adrian Brendel, Alfred Brendel is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | D Minor | 3 | 7A | 107 BPM | ||
Six German Dances, D820: No.2 | Franz Schubert, Mitsuko Uchida | A♭ Major | 0 | 4B | 111 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Variations on a Rococo Theme, Op. 33, TH 57: Var: VI. Andante | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek | D Major | 0 | 10B | 114 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 125 BPM | ||
Fidelio, Op. 72, Act I: March | Ludwig van Beethoven, Wolfgang Glashof, Hungarian Radio Chorus, Nicolaus Esterhazy Sinfonia, Michael Halasz, Alan Titus, Gösta Winbergh, Inga Nielsen, Kurt Moll, Edith Lienbacher, Herwig Pecoraro, Péter Pálinkás, József Moldvay | C Major | 3 | 8B | 135 BPM | ||
6 Moments musicaux, Op. 16: No. 4, Presto | Sergei Rachmaninoff, Boris Giltburg | E Minor | 2 | 9A | 126 BPM | ||
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | F♯ Major | 0 | 2B | 88 BPM | ||
Das Wohltemperierte Klavier: Book 2, BWV 870-893: Präludium f-Moll, BWV 881 | Johann Sebastian Bach, András Schiff | F Minor | 0 | 4A | 70 BPM | ||
Boccherini: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto - Trio (Arr. Woodhouse for String Orchestra) | Luigi Boccherini, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 0 | 11B | 85 BPM |
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