"Canzoni et sonate: Canzon XII (arr. E. Crees)" by Giovanni Gabrieli, Eric Crees, Christopher Martin, John Hagstrom, Chicago Symphony Orchestra, brass section was released on September 6, 2011. With this song being about 5 minutes long, at 4:30, "Canzoni et sonate: Canzon XII (arr. E. Crees)" by Giovanni Gabrieli, Eric Crees, Christopher Martin, John Hagstrom, Chicago Symphony Orchestra, brass section is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 15 in CSO Resound - Chicago Symphony Orchestra Brass Live by Chicago Symphony Orchestra, brass section, Jay Friedman, Mark Ridenour, Michael Mulcahy, Dale Clevenger. Canzoni et sonate: Canzon XII (arr. E. Crees) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Canzoni et sonate: Canzon XII (arr. E. Crees) by Giovanni Gabrieli, Eric Crees, Christopher Martin, John Hagstrom, Chicago Symphony Orchestra, brass section is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Threefold Amen | Orlando Gibbons, Gabrieli, Paul McCreesh | D Major | 0 | 10B | 67 BPM | ||
Mouton: Salva Nos, Domine | The Tallis Scholars, Peter Phillips | G Major | 2 | 9B | 73 BPM | ||
Cantate Domino | Claudio Monteverdi, VOCES8 | B♭ Minor | 1 | 3A | 151 BPM | ||
Mistresse Nichols Almand from Lachrimae, or Seaven Teares | John Dowland, Fretwork | B♭ Major | 1 | 6B | 150 BPM | ||
Itene, o miei sospiri | Carlo Gesualdo, Delitiæ Musicæ, Marco Longhini | C Major | 2 | 8B | 131 BPM | ||
Singet dem Herrn ein neues Lied, BWV 225: Lobet den Herrn in seinen Taten | Johann Sebastian Bach, The Monteverdi Choir, John Eliot Gardiner | D♭ Major | 1 | 3B | 76 BPM | ||
Membra Jesu nostri, BuxWV 75: IVa. Ad latus: Surge, amica | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: II. Gloria | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 137 BPM | ||
Jubilate Deo | Cristobal de Morales, Stile Antico | B♭ Minor | 2 | 3A | 88 BPM | ||
Canzoni et sonate: Canzon No. 17 (arr. E. Crees for brass) | Giovanni Gabrieli, Eric Crees, London Symphony Brass | F Major | 1 | 7B | 92 BPM |
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