Cavalleria rusticana: "No, no, Turiddu" (Duetto)
Pietro Mascagni, Plácido Domingo, Elena Obraztsova, Orchestra Del Teatro Alla Scala, Milano, Georges Prêtre
Mascagni: Cavalleria Rusticana
4:44 September 27, 1985
BPM
84
Key
F Minor
Camelot
4A

Embed

Share Link

Cavalleria rusticana: "No, no, Turiddu" (Duetto) - Pietro Mascagni, Plácido Domingo, Elena Obraztsova, Orchestra Del Teatro Alla Scala, Milano, Georges Prêtre Information

Acousticness
95%
Danceability
29%
Energy
26%
Instrumentalness
0%
Liveness
14%
Loudness
72%
Speechiness
5%
Valence
7%
Popularity
Loudness
-16.542 dB

Summary

"Cavalleria rusticana: "No, no, Turiddu" (Duetto)" by Pietro Mascagni, Plácido Domingo, Elena Obraztsova, Orchestra Del Teatro Alla Scala, Milano, Georges Prêtre was released on September 27, 1985. With this song being about 5 minutes long, at 4:44, "Cavalleria rusticana: "No, no, Turiddu" (Duetto)" by Pietro Mascagni, Plácido Domingo, Elena Obraztsova, Orchestra Del Teatro Alla Scala, Milano, Georges Prêtre is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Pietro Mascagni, Plácido Domingo, Elena Obraztsova, Georges Prêtre, Orchestra Del Teatro Alla Scala, Milano's "Mascagni: Cavalleria Rusticana" album is number 13 out of 20. Cavalleria rusticana: "No, no, Turiddu" (Duetto) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Cavalleria rusticana: "No, no, Turiddu" (Duetto) BPM

We consider the tempo marking of Cavalleria rusticana: "No, no, Turiddu" (Duetto) by Pietro Mascagni, Plácido Domingo, Elena Obraztsova, Orchestra Del Teatro Alla Scala, Milano, Georges Prêtre to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Cavalleria rusticana: "No, no, Turiddu" (Duetto) Key

This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Calme des nuits, Op.68, No.1 by Camille Saint-Saëns, The Monteverdi Choir, John Eliot GardinerCalme des nuits, Op.68, No.1Camille Saint-Saëns, The Monteverdi Choir, John Eliot GardinerE Minor09A128 BPM
Serenade in C Major, Op. 48: I. Pezzo in forma di Sonatina by Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe EntremontSerenade in C Major, Op. 48: I. Pezzo in forma di SonatinaPyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe EntremontC Major38B112 BPM
Largo from 'Xerxes' by George Frideric Handel, Latvian Philharmonic Chamber Orchestra, Ilmar Lapinsch, Riga Radio ChoirLargo from 'Xerxes'George Frideric Handel, Latvian Philharmonic Chamber Orchestra, Ilmar Lapinsch, Riga Radio ChoirG Major19B170 BPM
Love's Labour's Lost, Op. 28a: III. Dumaine's Poem by Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard GriffithsLove's Labour's Lost, Op. 28a: III. Dumaine's PoemGerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard GriffithsG Minor16A105 BPM
Serenade in C Major, Op. 48: II. Walzer by Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe EntremontSerenade in C Major, Op. 48: II. WalzerPyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe EntremontG Major29B180 BPM
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) by Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian WeigleDie tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul)Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian WeigleB♭ Major16B83 BPM
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 by Janos Sebestyen, Johann Sebastian BachPrelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924Janos Sebestyen, Johann Sebastian BachC Major28B139 BPM
Chanson de nuit, Op.15 No.1 by Edward Elgar, Hallé, Sir Mark ElderChanson de nuit, Op.15 No.1Edward Elgar, Hallé, Sir Mark ElderG Major09B80 BPM
6 Studies in English Folksong (Version for Cello & Piano): No. 3, Larghetto 6 Studies in English Folksong (Version for Cello & Piano): No. 3, Larghetto "Van Dieman's Land"Ralph Vaughan Williams, Gerald Peregrine, Antony InghamD Minor07A81 BPM
Cavalleria rusticana: Intermezzo by Pietro Mascagni, Valery Gergiev, Wiener PhilharmonikerCavalleria rusticana: IntermezzoPietro Mascagni, Valery Gergiev, Wiener PhilharmonikerF Major17B84 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.8174400329589844

End: 0.8222126960754395