"5 Pieces for Orchestra, Op. 16: 3. Sommermorgen an einem See" by Arnold Schoenberg, Chicago Symphony Orchestra, Rafael Kubelik was released on May 28, 2021. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 9 in the song's album "Rafael Kubelík - The Mercury Masters (Vol. 9 - Hindemith: Symphonic Metamorphosis; Schoenberg: Five Pieces for Orchestra)". In this album, this song's track order is #7. 5 Pieces for Orchestra, Op. 16: 3. Sommermorgen an einem See is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 5 Pieces for Orchestra, Op. 16: 3. Sommermorgen an einem See by Arnold Schoenberg, Chicago Symphony Orchestra, Rafael Kubelik having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
15 Pieces, Op. 3: Prelude | Gabriel Pierné, Hae Won Chang | C Minor | 0 | 5A | 83 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Moses und Aron / Act II: Frei unter eigenen Herren (Ephraimit, Stammesfürsten, Chor, Jüngling) | Arnold Schoenberg, Pär Lindskog, Michael Devlin, Royal Concertgebouw Orchestra, Pierre Boulez, Chorus Of The Netherlands Opera | D♭ Major | 1 | 3B | 81 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
Moses und Aron / Act II: Vierzig Tage liegen wir nun schon hier! (Die Ältesten, Priester, 1.-3. Ältester, Aron) | Arnold Schoenberg, Chris Merritt, László Polgár, Jan Pollak, Jef van Wersch, Nico Pouw, Royal Concertgebouw Orchestra, Pierre Boulez, Chorus Of The Netherlands Opera | D♭ Major | 1 | 3B | 81 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
6 Impromptus, Op. 5: Impromptu VI | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 62 BPM | ||
Suite, Op. 29: 2. Tanzschritte | Arnold Schoenberg, Yvonne Loriod, Marcel Naulais, Guy Deplus, Louis Montaigne, Jacques Ghestem, Serge Collot, Jean Huchot, Pierre Boulez | G Minor | 3 | 6A | 77 BPM | ||
2 Aquarelles: Lento, ma non troppo | Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones | B♭ Major | 1 | 6B | 72 BPM | ||
Prélude in A Minor | Maurice Ravel, Benjamin Grosvenor | G Minor | 0 | 6A | 98 BPM |
Section: 0.788092851638794
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