Johan Helmich Roman, Drottningholmsteaterns Kammarorkester/Ulf Björlin's 'Drottningholmsmusiken: Nr. 1: Allegro Assai/Nr. 4: Allegro Non Troppo - 1998 Remastered Version' came out on 1989. With this song being about 5 minutes long, at 4:49, "Drottningholmsmusiken: Nr. 1: Allegro Assai/Nr. 4: Allegro Non Troppo - 1998 Remastered Version" by Johan Helmich Roman, Drottningholmsteaterns Kammarorkester/Ulf Björlin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 19 in Encore: Drottningholmsmusiken by Johan Helmich Roman, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. In terms of popularity, Drottningholmsmusiken: Nr. 1: Allegro Assai/Nr. 4: Allegro Non Troppo - 1998 Remastered Version is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Drottningholmsmusiken: Nr. 1: Allegro Assai/Nr. 4: Allegro Non Troppo - 1998 Remastered Version by Johan Helmich Roman, Drottningholmsteaterns Kammarorkester/Ulf Björlin is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il prigioniero fortunato: Sinfonia: III. Allegro | Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa | D♭ Major | 4 | 3B | 77 BPM | ||
Il pianto d'Arianna in E-Flat Major, Op. 7 No.6: VII. Largo Andante | Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard | B Minor | 2 | 10A | 130 BPM | ||
San Giovanni Battista: Overture | Alessandro Stradella, Nereydas, Javier Ulises Illán | D Major | 2 | 10B | 61 BPM | ||
Concerto grosso No. 12 in B Minor, Op. 6/12, HWV 330: II. Allegro | George Frideric Handel, Trevor Connah, Raymond Keenlyside, Thurston Dart, Sir Andrew Davis, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 3 | 10A | 116 BPM | ||
Pyrrhus, Acte III Scène 1: Ritournelle | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | F Minor | 2 | 4A | 176 BPM | ||
Chamber Sonata No. 4 in G Minor: IV. Presto | Élisabeth Jacquet de La Guerre, Musica Fiorita | F♯ Minor | 2 | 11A | 121 BPM | ||
Then Svenska Messan: O Herre thens aldra högstes enfödde Son | Johan Helmich Roman, Drottningholm Baroque Ensemble, Anne-Sofie von Otter, Hillevi Martinpelto, Anders Öhrwall | A♭ Major | 0 | 4B | 78 BPM | ||
Concerto Grosso in B-Flat Major: I. Allegro | Johan Helmich Roman, Helen Jahren, Musica Vitae Chamber Orchestra, Wojciech Rajski | B♭ Major | 1 | 6B | 86 BPM | ||
Concerts royaux, Concerto No. 2 in D Major: IV. Air contrefugué | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Assaggio per violino solo in D Minor, BeRI 311: III. | Johan Helmich Roman, Fabio Biondi | G Minor | 1 | 6A | 171 BPM |
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