"Pestilence Songs: I. Adieu, farewell earth's bliss!" by Poul Ruders, Kiki Brandt, Jesper Sivebæk, Hanne Bramsen Buhl was released on September 30, 2008. The duration of Pestilence Songs: I. Adieu, farewell earth's bliss! is about 3 minutes long, at 3:00. Based on our data, "Pestilence Songs: I. Adieu, farewell earth's bliss!" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Ruders, P.: Guitar Works - Psalmodies Suite / Chaconne / Jargon". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Denmark. Based on our statistics, Pestilence Songs: I. Adieu, farewell earth's bliss!'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Pestilence Songs: I. Adieu, farewell earth's bliss! by Poul Ruders, Kiki Brandt, Jesper Sivebæk, Hanne Bramsen Buhl having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Walküre, WWV 86B: Ride of the Valkyries (Excerpt) | Richard Wagner, Slovak Radio Symphony Orchestra, Uwe Mund | B Minor | 2 | 10A | 95 BPM | ||
Spring Symphony, Op. 44, Part IV: Finale. London, to Thee I do Present (soprano, alto, tenor, chorus, children's chorus) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Elizabeth Watts, Alice Coote, Allan Clayton, London Symphony Chorus, Tiffin Boys' Choir, Tiffin Children's Chorus, The Tiffin Girls' School Choir | C Major | 3 | 8B | 134 BPM | ||
Beginning of the End Suite | Albert Glasser | E♭ Minor | 4 | 2A | 78 BPM | ||
Piano Trio: III. Fast, Gradually Faster | Poul Ruders, Trio con Brio Copenhagen | A♭ Major | 2 | 4B | 87 BPM | ||
Piano Quartet: I. Awakening | Poul Ruders, Rudersdal Chamber Players, Christine Pryn, Isabelle Bania, Mina Fred, John Ehde, Manuel Esperilla | D♭ Major | 1 | 3B | 77 BPM | ||
Variations on a Theme by Frank Martin, Op. 105: Var. 2, Adagio | Arnold Rosner, London Philharmonic Orchestra, Nick Palmer | C Minor | 1 | 5A | 136 BPM | ||
Symphony No. 1: III. Intermezzo | Henri Dutilleux, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | E Major | 4 | 12B | 163 BPM | ||
Psalmodies Suite: IV. Exit for One | Poul Ruders, Jesper Sivebæk | G Minor | 0 | 6A | 102 BPM | ||
Music of the Spheres, BVN 128: IV. Like the Refraction of Sunbeams in the Waves | Rued Langgaard, Danish National Symphony Orchestra, Thomas Dausgaard | D Major | 2 | 10B | 168 BPM | ||
Piano Trio: I. Moderato, Gradually Faster | Poul Ruders, Trio con Brio Copenhagen | D♭ Major | 1 | 3B | 106 BPM |
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