"Chanson perpétuelle, Op. 37 (Version for Mezzo-Soprano & Piano Quintet)" by Ernest Chausson, Magdalena Kozená, Sir Simon Rattle, Wolfram Brandl, Rahel Maria Rilling, Yulia Deyneka, David Adorján was released on September 13, 2019. Since Chanson perpétuelle, Op. 37 (Version for Mezzo-Soprano & Piano Quintet) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 30 in the song's album "Soirée". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Chanson perpétuelle, Op. 37 (Version for Mezzo-Soprano & Piano Quintet)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Chanson perpétuelle, Op. 37 (Version for Mezzo-Soprano & Piano Quintet) by Ernest Chausson, Magdalena Kozená, Sir Simon Rattle, Wolfram Brandl, Rahel Maria Rilling, Yulia Deyneka, David Adorján having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 1/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Symphony for Strings in A-Flat, Op. 118a: II. Allegretto furioso (Transcribed from String Quartet No. 10) | Dmitri Shostakovich, Yuli Turovsky, I Musici de Montréal | G Major | 0 | 9B | 69 BPM | ||
Holberg Suite, Op.40: 4. Air (Andante religioso) | Edvard Grieg, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 67 BPM | ||
Cello Sonata in G Minor, Op. 19: IV. Allegro mosso | Sergei Rachmaninoff, Gautier Capuçon, Yuja Wang | G Major | 1 | 9B | 77 BPM | ||
Piano Quartet in A Major, Op. 30: II. Très calme | Ernest Chausson, Daniel Esser, Jet Röling, Kees Hulsmann, Richard Wolfe | B♭ Major | 1 | 6B | 73 BPM | ||
Souvenir d'un lieu cher, Op. 42: Ib. Méditation (Orch. Glazunov) | Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, National Philharmonic Orchestra of Russia, Vladimir Spivakov | B♭ Major | 2 | 6B | 99 BPM | ||
Piano Quartet in A Major, Op. 30: IV. Animé | Ernest Chausson, Daniel Esser, Jet Röling, Kees Hulsmann, Richard Wolfe | B♭ Minor | 2 | 3A | 107 BPM | ||
Piano Concerto in F-Sharp Minor, Op. 20: II. Andante | Alexander Scriabin, Konstantin Scherbakov, Moscow Symphony Orchestra, Igor Golovschin | F♯ Major | 0 | 2B | 62 BPM | ||
Two Serenades, Op.69: 1. Andante assai, Op.69 No.1 - In D Major | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 0 | 10B | 108 BPM | ||
Schubert : "Du bist die Ruh" D776 | Franz Schubert, Barbara Bonney | E♭ Major | 0 | 5B | 66 BPM |
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