"Fêtes galantes, L. 80 / 2ème recueil: I. Les ingénus" by Claude Debussy, Gérard Souzay, Dalton Baldwin was released on January 1, 2002. The duration of Fêtes galantes, L. 80 / 2ème recueil: I. Les ingénus is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Fêtes galantes, L. 80 / 2ème recueil: I. Les ingénus's duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 22 in Debussy: Mélodies by Claude Debussy, Gérard Souzay, Dalton Baldwin. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Fêtes galantes, L. 80 / 2ème recueil: I. Les ingénus's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fêtes galantes, L. 80 / 2ème recueil: I. Les ingénus by Claude Debussy, Gérard Souzay, Dalton Baldwin is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Préludes Book 1, L. 117: III. La Cathedrale Engloutie | Claude Debussy, Martin Jones | D Minor | 0 | 7A | 67 BPM | ||
Adagio in G Minor | Tomaso Albinoni, Chamber Orchestra of Miemo | G Minor | 3 | 6A | 90 BPM | ||
Piano Concerto in A Minor, Op. 7: II. Romanze: Andante non troppo con grazia | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A♭ Major | 0 | 4B | 69 BPM | ||
Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Mélodie" (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | D Minor | 0 | 7A | 128 BPM | ||
Rêverie, L. 68 | Claude Debussy, Axel Gillison | E♭ Major | 1 | 5B | 128 BPM | ||
Etude Op. 10 no. 1 in C Major | Valentina Lisitsa | C Major | 2 | 8B | 88 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | E Minor | 1 | 9A | 102 BPM | ||
Abdelazer: Rondeau | Henry Purcell, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 1 | 10A | 66 BPM | ||
Memories of a Promenade II | Olga Scheps, Flying Steps | C Minor | 0 | 5A | 74 BPM |
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