"Piano Concerto No. 1 in E Minor, Op. 25: II. Andante con moto" by Anton Rubinstein, Joseph Banowetz, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter was released on September 2, 1992. Since Piano Concerto No. 1 in E Minor, Op. 25: II. Andante con moto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "Rubinstein: Piano Concertos Nos. 1 and 2". In this album, this song's track order is #2. Piano Concerto No. 1 in E Minor, Op. 25: II. Andante con moto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No. 1 in E Minor, Op. 25: II. Andante con moto by Anton Rubinstein, Joseph Banowetz, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter having a BPM of 63 with a half-time of 32 BPM and a double-time of 126 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Felix Mendelssohn: Songs Without Words, Book 2, Op. 30: No. 6 in F-Sharp Minor "Venetian Boat Song" | Vadim Chaimovich | F♯ Minor | 0 | 11A | 62 BPM | ||
Piano Sonata No. 16 in C Major, K. 545 "Sonata facile": II. Andante | Wolfgang Amadeus Mozart, Christoph Eschenbach | E♭ Major | 0 | 5B | 71 BPM | ||
Piano Concerto No. 4 in D Minor, Op. 70: II. Andante | Anton Rubinstein, Philharmonia Hungarica, Othmar Maga | D Major | 0 | 10B | 100 BPM | ||
The Demon: Act II: Na Vozdushnom akiane | Anton Rubinstein, Dmitri Hvorostovsky, Florence Illi-Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | C Major | 3 | 8B | 81 BPM | ||
Miscellanea, Op. 16: No. 4, Nocturne in B-Flat Major | Ignacy Jan Paderewski, Jenny Lin | B♭ Major | 0 | 6B | 61 BPM | ||
Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto | Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux | C Minor | 1 | 5A | 75 BPM | ||
Rhapsodie Orientale, Op. 29: 1. Andante | Alexander Glazunov, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 0 | 3B | 89 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
2 Melodies, Op. 3: Melody No. 1 in F Major | Anton Rubinstein, Joseph Banowetz | F Major | 0 | 7B | 68 BPM |
Section: 0.9984757900238037
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