Carmen: Act IV: Où vas-tu? - Laisse-moi! - Georges Bizet, Leontyne Price, Franco Corelli, Herbert von Karajan Information

Acousticness: 99%
Danceability: 32%
Energy: 16%
Instrumentalness: 0%
Liveness: 45%
Loudness: 65%
Speechiness: 7%
Valence: 26%
Popularity: 1%
Loudness: -21.272 dB

Summary

Georges Bizet, Leontyne Price, Franco Corelli, Herbert von Karajan's 'Carmen: Act IV: Où vas-tu? - Laisse-moi!' came out on 1964. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 19 out of 52 in Bizet: Carmen by Georges Bizet, Herbert von Karajan. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Carmen: Act IV: Où vas-tu? - Laisse-moi! is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Carmen: Act IV: Où vas-tu? - Laisse-moi! BPM

The tempo marking of Carmen: Act IV: Où vas-tu? - Laisse-moi! by Georges Bizet, Leontyne Price, Franco Corelli, Herbert von Karajan is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Carmen: Act IV: Où vas-tu? - Laisse-moi! Key

This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits)	Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer	D Major	0	10B	80 BPM
Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Lobgesang": Ib. Allegretto un poco agitato	Felix Mendelssohn, NDR Radiophilharmonie, Andrew Manze	G Minor	0	6A	109 BPM
Les Pêcheurs de perles: Je crois entendre encore (Nadir)	Georges Bizet, Nicolai Gedda, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique	A Minor	1	8A	88 BPM
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile	Franz Joseph Haydn, Alban Berg Quartett	B♭ Major	1	6B	101 BPM
Peer Gynt, Op. 23: No. 16, Anitra's Dance	Edvard Grieg, San Francisco Symphony, Herbert Blomstedt	A Minor	0	8A	82 BPM
Oboe Concerto in D Minor, Op. 8, No. 9, RV 454: I. Allegro	Antonio Vivaldi, Stefan Schilli, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy	D Minor	1	7A	129 BPM
Capriol Suite: 1. Basse-danse	Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner	D Minor	2	7A	133 BPM
Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto	Antonín Dvořák, New York Philharmonic, Alan Gilbert	E Minor	1	9A	125 BPM
Le roi s'amuse: Passepied	Léo Delibes, Slovak Philharmonic, Ondrej Lenard	A Major	1	11B	88 BPM
Sinfonia in C major, RV 112: I. Allegro	Karoly Botvay	G Major	2	9B	119 BPM

ISRC: USBC19704052
Label: L-M Records/RCA Records

Section: 0.8553330898284912

End: 0.8594560623168945