"Messe, Mass No. 1 In D Minor, For Soloists, Choir and Orchestra: Credo" by Chamber Choir Of Europe, Württembergische Philharmonie Reutlingen, Anton Bruckner, Isabelle Müller-Kant, Daniel Sans, Eibe Möhlmann, Reinhard Geller, Christof Fischesser, Nicol Matt had its release date on December 20, 2006. This song appears to be safe for all ages as it is not explicit. The track order of this song in Chamber Choir Of Europe's "Mass In D Minor" album is number 3 out of 6. Messe, Mass No. 1 In D Minor, For Soloists, Choir and Orchestra: Credo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messe, Mass No. 1 In D Minor, For Soloists, Choir and Orchestra: Credo by Chamber Choir Of Europe, Württembergische Philharmonie Reutlingen, Anton Bruckner, Isabelle Müller-Kant, Daniel Sans, Eibe Möhlmann, Reinhard Geller, Christof Fischesser, Nicol Matt to be Lento (slowly) because the track has a tempo of 55 BPM, a half-time of 28BPM, and a double-time of 110 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Second Dirge Anthem: Man That Is Born of a Woman – In the Midst of Life – Thou Knowest, Lord, Z. 58b | Thomas Morley, Henry Purcell, Vox Luminis, Lionel Meunier | A♭ Minor | 1 | 1A | 135 BPM | ||
Große Messe C Major, op.86: Kyrie | Ludwig van Beethoven, Regine Hangler, Martina Mikelic, Ilker Arkayürek, Christian Hübner, Chor von St. Augustin, Robert Rieder | G Major | 1 | 9B | 92 BPM | ||
5 Short & Easy Pieces Founded on Hymn Tunes: No. 4, St. Peter | Charles Hylton Stewart, Philip Rushforth | A♭ Major | 2 | 4B | 74 BPM | ||
Missa Dolorosa: IV. Sanctus | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Praeambulum in D | Heinrich Scheidemann, Bart Jacobs | D Minor | 1 | 7A | 71 BPM | ||
Sacrum, R.586 - rev. Franz Giegling: 2b Gloria: (Adagio) Et in terra pax | Antonio Vivaldi, Anthony Rolfe Johnson, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Olga Hegedus, Adrian Beers, John Constable | A Minor | 1 | 8A | 78 BPM | ||
Magnificat, Wq. 215: Magnificat, Wq. 215: 4. Chor. Et misericordia eius | Carl Philipp Emanuel Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | E♭ Minor | 1 | 2A | 71 BPM | ||
Bleib bei uns, denn es will Abend werden, BWV 6: (Chorale): Bleib bei uns, denn es will Abend werden [Chorus] | Johann Sebastian Bach, Yukari Nonoshita, Robin Blaze, James Gilchrist, Dominik Worner, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki | D Major | 2 | 10B | 95 BPM | ||
Regina Coeli in C Major, K. 276 | Wolfgang Amadeus Mozart, Chamber Choir Of Europe, Nicol Matt, Süddeutsches Kammerorchester Pforzheim | C Major | 3 | 8B | 96 BPM | ||
Mass of the Americas: VI. Agnus Dei | Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks | A Minor | 1 | 8A | 105 BPM |