Heinrich Schütz, Christina Pluhar, Céline Scheen, Philippe Jaroussky, Dingle Yandell, L'Arpeggiata's 'Schütz: Von Gott will ich nicht lassen, SWV 366' came out on October 5, 2018. Schütz: Von Gott will ich nicht lassen, SWV 366 is about six minutes long, preciously at 5:43, making this song fairly long compared to other songs. The track order of this song in Christina Pluhar's "Himmelsmusik" album is number 7 out of 13. In terms of popularity, Schütz: Von Gott will ich nicht lassen, SWV 366 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Schütz: Von Gott will ich nicht lassen, SWV 366 by Heinrich Schütz, Christina Pluhar, Céline Scheen, Philippe Jaroussky, Dingle Yandell, L'Arpeggiata to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa ex B: XXI. Amen - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | F Major | 2 | 7B | 149 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad pedes: Aria "Dulcis Jesu, pie Deus" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Dominus illuminatio mea: Sinfonia | Franz Tunder, Peter Barany, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | A Minor | 0 | 8A | 79 BPM | ||
Auferstehungshistorie, SWV 50: (Der Jüngling im Grabe) Die Weiber aber gingen hinein | Heinrich Schütz, Ensemble Polyharmonique | F♯ Major | 0 | 2B | 112 BPM | ||
Quemadmodum | John Taverner, Owen Rees, Contrapunctus | C Minor | 1 | 5A | 76 BPM | ||
Buxtehude: In dulci jubilo, BuxWV 52 | Dietrich Buxtehude, Ton Koopman, Barbara Schlick, Monika Frimmer, Peter Kooij, Amsterdam Baroque Orchestra | E Major | 0 | 12B | 75 BPM | ||
Warum ist das Licht gegeben dem Mühseligen? Op. 74 No. 1: II. Lasset uns. Wenig bewegter | Johannes Brahms, Cappella Amsterdam, Daniel Reuss | D♭ Major | 2 | 3B | 176 BPM | ||
Suite from Taffel-Consort: Volta | Thomas Simpson, Boreas Quartett Bremen | A♭ Major | 1 | 4B | 75 BPM | ||
Psalm 23, SwWV 310, "Mein Huter und mein Hirt": Variation 1 | Jan Pieterszoon Sweelinck, Joseph Kelemen | F♯ Minor | 0 | 11A | 67 BPM | ||
Der Herr ist mit mir, darum fürchte ich mich nicht, BuxWV 15 | Dietrich Buxtehude, Collegium Ad Mosam, Huub Ehlen, Hannah Morrison, Hanna Kopra, Immo Schroder, Benoît Giaux | C Minor | 1 | 5A | 140 BPM |
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