"Piano Quintet No. 1: 3. Grave" by Grażyna Bacewicz, Krystian Zimerman, Kaja Danczowska, Agata Szymczewska, Ryszard Groblewski, Rafal Kwiatkowski was released on May 18, 2021. Since Piano Quintet No. 1: 3. Grave is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 81 out of 85 in Clara Schumann & Great Female Composers by Clara Schumann, Cécile Chaminade, Grażyna Bacewicz. In terms of popularity, Piano Quintet No. 1: 3. Grave is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Quintet No. 1: 3. Grave by Grażyna Bacewicz, Krystian Zimerman, Kaja Danczowska, Agata Szymczewska, Ryszard Groblewski, Rafal Kwiatkowski is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso: II. Serenata | Maya Badian, Cristian Balea, Ilie Dornescu, Romanian National Orchestra, Ludovic Bacs | A Major | 1 | 11B | 119 BPM | ||
Belshazzar's Feast, JS 48: Act I: Alla marcia | Jean Sibelius, Turku Philharmonic Orchestra, Leif Segerstam | A Major | 2 | 11B | 69 BPM | ||
Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 155 BPM | ||
The Wreckers: Overture | Dame Ethel Smyth, Sakari Oramo, BBC Symphony Orchestra | C Major | 8 | 8B | 176 BPM | ||
Oberek (1951) | Grażyna Bacewicz, Midori, Robert McDonald | G Major | 2 | 9B | 142 BPM | ||
Elegie, Op. 30 | Henri Vieuxtemps, Timothy Ridout, Ke Ma | F Minor | 1 | 4A | 76 BPM | ||
Träumerei, Op. 15 No. 7 | Robert Schumann, Michael Collins, Michael McHale | F Major | 0 | 7B | 139 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation VI - L'istesso tempo | Sergei Rachmaninoff, Cameron Carpenter, Christoph Eschenbach | E Minor | 1 | 9A | 96 BPM | ||
Étienne Marcel, R. 209, Act III, The Night of St. John, Before Notre Dame (Excerpts): Pavane | Camille Saint-Saëns, Residentie Orkest Den Haag, Jun Markl | D Major | 2 | 10B | 132 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical": II. Larghetto | Sergei Prokofiev, André Previn, London Symphony Orchestra | A Major | 0 | 11B | 104 BPM |
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