"L'olimpiade, RV 725: È troppo spietato il barbaro fato. Aristea, aria" by Antonio Vivaldi, Sonia Prina, Concerto Italiano, Rinaldo Alessandrini was released on January 1, 2007. The duration of L'olimpiade, RV 725: È troppo spietato il barbaro fato. Aristea, aria is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. L'olimpiade, RV 725: È troppo spietato il barbaro fato. Aristea, aria's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi: L'olimpiade by Antonio Vivaldi, Sara Mingardo, Laura Giornado, Riccardo Novaro. The song's track number on the album is #6 out of 17 tracks. Based on our data, France was the country where this track was produced or recorded. In terms of popularity, L'olimpiade, RV 725: È troppo spietato il barbaro fato. Aristea, aria is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since L'olimpiade, RV 725: È troppo spietato il barbaro fato. Aristea, aria by Antonio Vivaldi, Sonia Prina, Concerto Italiano, Rinaldo Alessandrini has a tempo of 111 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With L'olimpiade, RV 725: È troppo spietato il barbaro fato. Aristea, aria being at 111 BPM, the half-time would be 56 BPM with a double-time of 222 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 3/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in D Major, Op. 6 No. 4: II. Allegro | Arcangelo Corelli, Jordi Savall, Le Concert Des Nations | D♭ Major | 3 | 3B | 133 BPM | ||
The Four Seasons (Concerti Op.8 Nos.1-4) Spring (La Primavera) Op.8 No.1 E Major: Allegro | Baroque Festival Orchestra, Alberto Lizzio | E Major | 0 | 12B | 98 BPM | ||
The Hebrides, Op. 26 (Fingal's Cave) | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | ||
Nocturne No. 2 In E Flat, Op. 9 No. 2 | Frédéric Chopin, Maurizio Pollini | B♭ Major | 0 | 6B | 133 BPM | ||
Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM | ||
Oboe Concerto in D Minor: II. Adagio | Alessandro Marcello, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | D Minor | 1 | 7A | 131 BPM | ||
Concerto For 3 Violins In F Major, RV 551: I. Allegro | Sonatori de la Gioiosa Marca, Antonio Vivaldi | C Major | 3 | 8B | 115 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
Gypsy Melodies, Op. 55, B. 104: IV. Songs My Mother Taught Me (Arr. Soltani For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D Major | 1 | 10B | 125 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM |
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