"Kaiserrequiem: I. Introitus (Requiem aeternam - Te decet hymnus - Requiem aeternam)" by Johann Joseph Fux, Vox Luminis, Lionel Meunier, Scorpio Collectif was released on August 19, 2016. Since Kaiserrequiem: I. Introitus (Requiem aeternam - Te decet hymnus - Requiem aeternam) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Vox Luminis, Lionel Meunier, L'Achéron, Scorpio Collectif's "Kerll & Fux: Requiems" album is number 8 out of 14. In terms of popularity, Kaiserrequiem: I. Introitus (Requiem aeternam - Te decet hymnus - Requiem aeternam) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Kaiserrequiem: I. Introitus (Requiem aeternam - Te decet hymnus - Requiem aeternam) by Johann Joseph Fux, Vox Luminis, Lionel Meunier, Scorpio Collectif to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cazzati: La Strozza | Maurizio Cazzati, Christina Pluhar, L'Arpeggiata | C Major | 2 | 8B | 82 BPM | ||
Stabat Mater, P. 77: III. O quam tristis | Giovanni Battista Pergolesi, Shira Patchornik, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Concerto di Flauti, S.D945: III. Presto | Alessandro Marcello, Dorothee Oberlinger | G Major | 1 | 9B | 143 BPM | ||
Hamburg Symphony No. 1 in G Major, Wq. 182: I. Allegro di molto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Kaiserrequiem: Agnus Dei | Johann Joseph Fux, Musica Fiata, Roland Wilson | G Minor | 1 | 6A | 97 BPM | ||
Caro dolce ben mio - diminutions by Giovanni Bassano | Andrea Gabrieli, Gawain Glenton, Silas Wollston | B♭ Minor | 1 | 3A | 64 BPM | ||
Partita in E Major, E64, "Parthia Trio": III. Menuet - Trio - Menuet | Johann Joseph Fux, Clemencic Consort | C Major | 1 | 8B | 33 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 3. Oro supplex et acclinis | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen | B Minor | 1 | 10A | 139 BPM | ||
Victimae Paschali Laudes | Johann Joseph Fux, David Cordier, Drew Minter, Johannes Chum, Klaus Mertens, Wiener Vocalensemble, Vienna Academy Orchestra, Martin Haselböck | B Major | 1 | 1B | 66 BPM | ||
Marais: Pièces en trio: Suite No. 1 en do majeur: III. Seconde sarabande | Marin Marais, Ensemble Amalia | B Major | 0 | 1B | 70 BPM |
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