Antonio Valente, Conserto Vago made "Lo Bello Dell’Intorcia" available on August 28, 2023. With Lo Bello Dell’Intorcia being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Villanelle Alla Napolitana by Renata Fusco, Conserto Vago. The song's track number on the album is #7 out of 18 tracks. Based on our data, Italy was the country where this track was produced or recorded. Lo Bello Dell’Intorcia is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since Lo Bello Dell’Intorcia by Antonio Valente, Conserto Vago has a tempo of 78 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Lo Bello Dell’Intorcia being at 78 BPM, the half-time would be 39 BPM with a double-time of 156 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spagna Contrapunto | Francesco da Milano, Atrium Musicae de Madrid, Gregorio Paniagua | A Minor | 2 | 8A | 102 BPM | ||
Si habrá en este baldrés? | Juan del Encina, Piffaro | D Minor | 3 | 7A | 118 BPM | ||
Missa prolationum, Kyrie: Kyrie eleison I | Johannes Ockeghem, The Hilliard Ensemble, Paul Hillier | E♭ Major | 1 | 5B | 67 BPM | ||
Sonate, arie et correnti, Op.3, RISM A/I: U 14: Aria quinta sopra la Bergamasca | Marco Uccellini, Dorothee Oberlinger, Dmitry Sinkovsky | D Major | 2 | 10B | 139 BPM | ||
Il diluvio universale, Act IV "In l’arca di Noè": Ecco l’Iride paciera | Michelangelo Falvetti, Leonardo García-Alarcón, Chœur De Chambre De Namur, Cappella Mediterranea | F Major | 5 | 7B | 112 BPM | ||
Canario | Giovanni Girolamo Kapsberger, Carlos Oramas | F♯ Major | 1 | 2B | 96 BPM | ||
Tenebrae Responsories, Feria quinta: II. Tristis est anima mea | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | D Minor | 1 | 7A | 171 BPM | ||
La Bocanne primitive | Jacques Cordier, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 1 | 11A | 103 BPM | ||
Folias Gallegas (arr. G. Herreid) | Santiago De Murcia, Grant Herreid, Piffaro | A♭ Major | 0 | 4B | 132 BPM | ||
La tarantella | Cristofaro Caresana, Antonio Florio, Cappella de' Turchini | A♭ Minor | 2 | 1A | 102 BPM |
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