"Seasons in Hell: Act I: A deserted street" by Harold Blumenfeld, College-Conservatory of Music Philarmonia, Rendall Gremillion, Philip Mark Horst, Elizabeth Saunders, Sara Lindell, Chad Smith, Mary Elizabeth Kures, Susana Diaz, James David Lynn, Robin Korsin, Alethea Kolgore, Dieter Cui, Gerhard Samuel was released on October 1, 1997. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 28 in the song's album "Seasons in Hell". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. In terms of popularity, Seasons in Hell: Act I: A deserted street is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Seasons in Hell: Act I: A deserted street by Harold Blumenfeld, College-Conservatory of Music Philarmonia, Rendall Gremillion, Philip Mark Horst, Elizabeth Saunders, Sara Lindell, Chad Smith, Mary Elizabeth Kures, Susana Diaz, James David Lynn, Robin Korsin, Alethea Kolgore, Dieter Cui, Gerhard Samuel having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Planets, Op. 32: 5. Saturn, the Bringer of Old Age | Gustav Holst, Los Angeles Philharmonic, Zubin Mehta | C Major | 0 | 8B | 67 BPM | ||
In Windsor Forest: No. 3, Falstaff and the Fairies | Ralph Vaughan Williams, London Choral Sinfonia, Michael Waldron, Rachel Ambrose Evans | G Major | 1 | 9B | 79 BPM | ||
Nuits | Iannis Xenakis, Schola Heidelberg, Walter Nußbaum | D Major | 2 | 10B | 123 BPM | ||
Adams: Nixon in China: Act II, Scene 1 - "This Is Prophetic!" | John Adams, Edo de Waart, Orchestra of St. Luke's | F Major | 0 | 7B | 87 BPM | ||
Sånger å de Osjungnas Vägnar: III. De Osjungnas Land: IV | Per Egland, Christian Lindberg, Wermland Opera Orchestra | D Major | 2 | 10B | 80 BPM | ||
Songs of Travel: VI. The Infinite Shining Heavens | Ralph Vaughan Williams, Bryn Terfel, Malcolm Martineau | D Major | 1 | 10B | 170 BPM | ||
Lux aeterna: I. Introitus | Morten Lauridsen, Chamber Choir Of Europe, I Virtuosi Italiani, Nicol Matt | D Major | 1 | 10B | 91 BPM | ||
Rusalka, Op. 114 / Act 3: Bílá moje lani! Bílá moje lani! | Antonín Dvořák, Ben Heppner, Czech Philharmonic Orchestra, Sir Charles Mackerras | B Minor | 4 | 10A | 80 BPM | ||
Adams: Nixon in China: Act I, Scene 3 - Mr. Premier, Distinguished Guests | John Adams, Edo de Waart, Orchestra of St. Luke's | A Minor | 2 | 8A | 101 BPM | ||
Les Noces, Première partie, Premier tableau: Chez la mariée | Igor Stravinsky, RIAS Kammerchor, Ensemble Musikfabrik, Carolyn Sampson, Susan Parry, Vsevolod Grivnov, Maxim Mikhailov, Daniel Reuss | F Major | 0 | 7B | 181 BPM |
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