John Adams, Edo de Waart, Orchestra of St. Luke's's 'Adams: Nixon in China: Act I, Scene 3 - Mr. Premier, Distinguished Guests' came out on November 1, 1996. The duration of Adams: Nixon in China: Act I, Scene 3 - Mr. Premier, Distinguished Guests is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Adams: Nixon in China: Act I, Scene 3 - Mr. Premier, Distinguished Guests's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 41 in the song's album "Nixon In China". In this album, this song's track order is #15. In terms of popularity, Adams: Nixon in China: Act I, Scene 3 - Mr. Premier, Distinguished Guests is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Adams: Nixon in China: Act I, Scene 3 - Mr. Premier, Distinguished Guests by John Adams, Edo de Waart, Orchestra of St. Luke's having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Punctum | Caroline Shaw, Attacca Quartet | D Major | 0 | 10B | 130 BPM | ||
3 Pieces in Old Style: No. 1. Aria | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | G Minor | 0 | 6A | 85 BPM | ||
Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | ||
Asyla, Op. 17: III. Ecstasio | Thomas Adès, London Symphony Orchestra | G Major | 3 | 9B | 130 BPM | ||
The Planets, Op. 32: II. Venus, the Bringer of Peace | Gustav Holst, Lorin Maazel, L'Orchestre National de France, Orchestre National De France | A♭ Major | 0 | 4B | 139 BPM | ||
Etudes, Book 1: No. 5, Arc-en-ciel | György Ligeti, Khatia Buniatishvili | A Major | 0 | 11B | 130 BPM | ||
Suite de danzas criollas, Op. 15 (2nd version): I. Adagietto pianissimo | Alberto Ginastera, Fernando Viani | C Major | 0 | 8B | 129 BPM | ||
Ma mère l'Oye, M. 60: III. Laideronnette, impératrice des pagodes - Mouvement de Marche | Maurice Ravel, Louis Lortie | A♭ Minor | 0 | 1A | 134 BPM | ||
Recomposed By Max Richter: Vivaldi, The Four Seasons: Winter 3 | Max Richter, Daniel Hope, Konzerthaus Kammerorchester Berlin, Andre de Ridder | F Minor | 3 | 4A | 111 BPM | ||
Adams: Doctor Atomic, Act I, Scene 3: "Batter my heart" | John Adams, BBC Symphony Orchestra, Gerald Finley | D Minor | 2 | 7A | 181 BPM |
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