"Recomposed By Max Richter: Vivaldi, The Four Seasons: Winter 3" by Max Richter, Daniel Hope, Konzerthaus Kammerorchester Berlin, Andre de Ridder was released on January 1, 2014. With this song being about 5 minutes long, at 4:39, "Recomposed By Max Richter: Vivaldi, The Four Seasons: Winter 3" by Max Richter, Daniel Hope, Konzerthaus Kammerorchester Berlin, Andre de Ridder is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 18 in the song's album "Recomposed By Max Richter: Vivaldi, The Four Seasons". In this album, this song's track order is #13. In terms of popularity, Recomposed By Max Richter: Vivaldi, The Four Seasons: Winter 3 is currently average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Recomposed By Max Richter: Vivaldi, The Four Seasons: Winter 3 by Max Richter, Daniel Hope, Konzerthaus Kammerorchester Berlin, Andre de Ridder having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La corde | Yann Tiersen | F♯ Minor | 3 | 11A | 102 BPM | ||
En vacances: Où l'on entend une vieille boite à musique: | Déodat de Séverac, Anne Queffélec | B♭ Major | 2 | 6B | 106 BPM | ||
Dido and Aeneas, Z. 626: When I am laid in earth, "Dido's Lament" (arr. L. Stokowski) | Henry Purcell, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | G Minor | 0 | 6A | 73 BPM | ||
Concerto in D Minor, BWV 974: II. Adagio | Johann Sebastian Bach, Víkingur Ólafsson | D Minor | 0 | 7A | 64 BPM | ||
Cassiopeia - Pt. 6 | Max Richter, Ben Russell, Yuki Numata, Caleb Burhans, Clarice Jensen, Brian Snow | F♯ Major | 1 | 2B | 81 BPM | ||
Orbit | Matt Haimovitz | C Minor | 1 | 5A | 137 BPM | ||
I. Movement | Vladimir Martynov, Tatiana Grindenko | A Major | 2 | 11B | 120 BPM | ||
Yumeji's Theme - From "In The Mood For Love" | Shigeru Umebayashi, Gidon Kremer, Kremerata Baltica | C Minor | 0 | 5A | 99 BPM | ||
Van Gogh Theme I | Tatiana Lisovskaya, Paul Cantelon | D Minor | 0 | 7A | 99 BPM | ||
Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | E Minor | 1 | 9A | 102 BPM |
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