"Suppé: Wiener Jubel-Ouvertüre:" by Franz von Suppé, Sir Neville Marriner, Academy of St. Martin in the Fields was released on 1990. Suppé: Wiener Jubel-Ouvertüre: is about six minutes long, preciously at 6:21, making this song fairly long compared to other songs. There are a total of 8 in the song's album "Suppé: Overtures". In this album, this song's track order is #2. Based on our statistics, Suppé: Wiener Jubel-Ouvertüre:'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suppé: Wiener Jubel-Ouvertüre: by Franz von Suppé, Sir Neville Marriner, Academy of St. Martin in the Fields having a BPM of 146 with a half-time of 73 BPM and a double-time of 292 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt, Op. 23: Acti IV, 16, Anitra's Dance | Edvard Grieg, Esa-Pekka Salonen | A Major | 0 | 11B | 167 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | ||
La belle Hélène: Overture | Jacques Offenbach, Orchestre National de Lille, Darrell Ang | A Major | 2 | 11B | 82 BPM | ||
Dorfschwalben aus Osterreich, Op. 164 | Josef Strauss, Wiener Symphoniker, Manfred Honeck | E♭ Major | 1 | 5B | 94 BPM | ||
Carmen Suite No.2: Danse bohème | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | C Major | 1 | 8B | 120 BPM | ||
Messiah, HWV 56 (1989 - Remaster), Part 2: Hallelujah (chorus: Allegro) | George Frideric Handel, Elizabeth Harwood, Dame Janet Baker, Paul Esswood, Robert Tear, Raimund Herincx, Ambrosian Singers, Sir Charles Mackerras, English Chamber Orchestra | A Minor | 4 | 8A | 0 BPM | ||
Tchaikovsky: Romeo and Juliet, Fantasy Overture (Excerpt) | Pyotr Ilyich Tchaikovsky, Oslo Philharmonic Orchestra, Mariss Jansons | B Minor | 1 | 10A | 79 BPM | ||
Marche funebre d'une marionnette (Funeral March of a Marionette) | Charles Gounod, Slovak Radio Symphony Orchestra, Peter Breiner | A Major | 0 | 11B | 75 BPM | ||
Music For The Royal Fireworks: Suite HWV 351: 1. Ouverture | George Frideric Handel, The English Concert, Trevor Pinnock | D♭ Major | 4 | 3B | 136 BPM | ||
Exeter Polka, Op. 294 | Johann Strauss I, Wiener Biedermeier Solisten | D Major | 2 | 10B | 108 BPM |
Section: 0.8166356086730957
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