"Mazurka No. 2 in C-Sharp Minor, Op. 6, No. 2" by Frédéric Chopin, Idil Biret was released on February 1, 1991. The duration of Mazurka No. 2 in C-Sharp Minor, Op. 6, No. 2 is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Mazurka No. 2 in C-Sharp Minor, Op. 6, No. 2's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 26 in Chopin: Mazurkas, Vol. 1 by Frédéric Chopin, Idil Biret. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Mazurka No. 2 in C-Sharp Minor, Op. 6, No. 2 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mazurka No. 2 in C-Sharp Minor, Op. 6, No. 2 by Frédéric Chopin, Idil Biret is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Préludes / Book 1, L. 117: 8. La fille aux cheveux de lin | Claude Debussy, Víkingur Ólafsson | F♯ Major | 0 | 2B | 76 BPM | ||
Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 2 | 10A | 105 BPM | ||
25 Ètudes Faciles Et Progressives, Op. 100: VII. Courant Limpide | Franz Burgmüller, Benedikt David | D Major | 1 | 10B | 134 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: I. Andante sostenuto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Minor | 2 | 6A | 94 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Rondo in D Minor, Wq. 61/4, H. 290 | Carl Philipp Emanuel Bach, Christopher Hinterhuber | B♭ Major | 1 | 6B | 135 BPM | ||
Nocturne No. 20 in C-Sharp Minor, Op. posth. (arr. N. Milstein) | Nathan Milstein, Frédéric Chopin, Elissa Lee Koljonen, Robert Koenig | D♭ Minor | 1 | 12A | 81 BPM | ||
12 Etudes, Op.25: No.12 in C Minor(Ocean) | Pianozone, Frédéric Chopin | F Minor | 4 | 4A | 159 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM |
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