"Estampas Quijotescas: VII. Alonso Quijano el Bueno" by Leonardo Coral, Viktoria Horti, Luz María Frenk, María Teresa Frenk was released on September 15, 2015. With Estampas Quijotescas: VII. Alonso Quijano el Bueno being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 26 in the song's album "Orígenes, Formas y Estampas Quijotescas". In this album, this song's track order is #26. In terms of popularity, Estampas Quijotescas: VII. Alonso Quijano el Bueno is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Estampas Quijotescas: VII. Alonso Quijano el Bueno by Leonardo Coral, Viktoria Horti, Luz María Frenk, María Teresa Frenk having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
From Jewish Life, B. 54: III. No. 3 Jewish Song | Ernest Bloch, Yevgeny Dokshansky, Richard Masters | F Major | 0 | 7B | 137 BPM | ||
Aria, Op. 9 | Mieczysław Weinberg, Kremerata Baltica, Gidon Kremer | B♭ Major | 1 | 6B | 90 BPM | ||
Oboe Sonata, FP 185: Deploration: Tres calme | Francis Poulenc, Olivier Doise, Alexandre Tharaud | D Minor | 2 | 7A | 66 BPM | ||
String Quartet No. 15 in E-Flat Minor, Op. 144: I. Elegy | Dmitri Shostakovich, Carducci String Quartet | D♭ Major | 0 | 3B | 83 BPM | ||
Debussy: Sonata for Flute, Viola and Harp, L. 137: I. Pastorale - Lento, dolce rubato | Claude Debussy, Bertrand Chamayou | F Major | 0 | 7B | 80 BPM | ||
5 Pieces for String Quartet: No. 2, Alla serenate | Erwin Schulhoff, Orava Quartet | D♭ Minor | 0 | 12A | 115 BPM | ||
The Drawing Room | Philip Glass, Kronos Quartet | D♭ Major | 0 | 3B | 112 BPM | ||
Introduction et Allegro, M. 46 | Lavinia Meijer, Amsterdam Sinfonietta | E♭ Minor | 1 | 2A | 78 BPM | ||
Lamentate: Fragile e conciliante | Arvo Pärt, Ralph van Raat, Netherlands Radio Chamber Philharmonic, Joann Falletta | D♭ Major | 0 | 3B | 94 BPM | ||
String Quartet No. 12 in F Major, Op. 96, B. 179 "American": II. Lento | Antonín Dvořák, Pavel Haas Quartet | D Minor | 0 | 7A | 87 BPM |
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