Hildegard von Bingen, Shira Kammen's 'Kyrie (arr. S. Kammen for vielle)' came out on May 13, 2016. The duration of Kyrie (arr. S. Kammen for vielle) is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Kyrie (arr. S. Kammen for vielle)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Hildegard von Bingen, Vajra Voices, Karen R. Clark, Shira Kammen's "Hildegard von Bingen: O eterne Deus" album is number 10 out of 14. In terms of popularity, Kyrie (arr. S. Kammen for vielle) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Kyrie (arr. S. Kammen for vielle) by Hildegard von Bingen, Shira Kammen to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem: VI. Agnus Dei | Pierre de la Rue, Dominique Visse, Ensemble Clément Janequin | E♭ Minor | 1 | 2A | 63 BPM | ||
Nunc aperuit nobis | Hildegard von Bingen, Sequentia, Barbara Thornton | A Major | 0 | 11B | 127 BPM | ||
Eccho or Allmane | Francis Pilkington, John Marchant, Ronn McFarlane, William Simms | G Major | 2 | 9B | 119 BPM | ||
Antiphon Caritas habundant in omnia | Hildegard von Bingen, Anonymous 4 | F Minor | 0 | 4A | 125 BPM | ||
Can vei la lauzeta mover | Bernat De Ventadorn, Millenarium | D Major | 1 | 10B | 185 BPM | ||
Folias Gallegas (arr. G. Herreid) | Santiago De Murcia, Grant Herreid, Piffaro | A♭ Major | 0 | 4B | 132 BPM | ||
O pastor animarum | Hildegard von Bingen, Oxford Camerata, Jeremy Summerly | B♭ Major | 0 | 6B | 112 BPM | ||
Contre Qui, Rose | Nordic Chamber Choir | B♭ Minor | 1 | 3A | 139 BPM | ||
The Song called Trumpets | Robert Parsons, The Rose Consort Of Viols | E Major | 0 | 12B | 112 BPM | ||
Miserere, Op. 44: 11. Miserere nobis - Lento, tranquilissimo, cantabilissimo, dolcissimo | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | A Minor | 0 | 8A | 129 BPM |
Section: 0.6804256439208984
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