Giovanni Gabrieli, E. Power Biggs, Richard Burgin's 'Canzona per Sonare No. 3' came out on 1960. The duration of Canzona per Sonare No. 3 is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Canzona per Sonare No. 3's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 32 in the song's album "The Antiphonal Music of Gabrieli". In this album, this song's track order is #21. Based on our statistics, Canzona per Sonare No. 3's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Canzona per Sonare No. 3 by Giovanni Gabrieli, E. Power Biggs, Richard Burgin having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
All'imperio d'Amore: 3. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | F Major | 2 | 7B | 62 BPM | ||
Frescobaldi: Messa sopra l'aria della monica: I. Kyrie | Girolamo Frescobaldi, Choir of King's College, Cambridge, Stephen Cleobury | G Minor | 1 | 6A | 76 BPM | ||
Three Songs, Op. 42: III. Darthulas Grabesgesang | Johannes Brahms, RIAS Kammerchor | D♭ Major | 1 | 3B | 106 BPM | ||
Resveillez-vous, chacun fidèle | Jan Pieterszoon Sweelinck, Cappella Amsterdam, Daniel Reuss | E Minor | 2 | 9A | 141 BPM | ||
Courtly Masquing Ayres: Nos. 5 & 6 | John Adson, The Prague Brass Soloists | D Major | 1 | 10B | 93 BPM | ||
Communion: O sacrum convivium à 5 | Andrea Gabrieli, Gabrieli, Paul McCreesh | C Major | 0 | 8B | 135 BPM | ||
Oboe Sonata No. 3: I. Adagio | Francesco Geminiani, Ensemble Barocco Sans Souci | E♭ Minor | 1 | 2A | 129 BPM | ||
Tota pulchra es amica mea, F 11.15 - a 2 canto e tenore | Girolamo Frescobaldi, Lorenzo Ghielmi | C Minor | 1 | 5A | 0 BPM | ||
Mass No. 2 in F Major, Hob.XXII:1, "Missa brevis": Sanctus | Joseph Haydn, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick | C Major | 3 | 8B | 92 BPM | ||
Intemerata Dei Mater | Johannes Ockeghem, Musica Ficta, Bo Holten | D♭ Minor | 2 | 12A | 110 BPM |
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