Heitor Villa-Lobos, Norbert Kraft's '5 Preludes: No. 4 in E Minor' came out on October 20, 2000. The duration of 5 Preludes: No. 4 in E Minor is about 3 minutes long, at 3:23. Based on our data, "5 Preludes: No. 4 in E Minor" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Villa-Lobos: Music for Solo Guitar (Complete) by Heitor Villa-Lobos, Norbert Kraft. The song's track number on the album is #22 out of 23 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. 5 Preludes: No. 4 in E Minor is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since 5 Preludes: No. 4 in E Minor by Heitor Villa-Lobos, Norbert Kraft has a tempo of 77 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With 5 Preludes: No. 4 in E Minor being at 77 BPM, the half-time would be 38 BPM with a double-time of 154 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Khachaturian: Children's Album, Book I, Op. 62: No. 1, Andantino | Aram Khachaturian, Alexandre Tharaud | A♭ Major | 0 | 4B | 90 BPM | ||
Le Tic-Toc-Choc | François Couperin, Sarah O'Brien | A Major | 1 | 11B | 87 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Bachianas Brasileiras No. 5, W389 | Heitor Villa-Lobos, Jian Wang, Göran Söllscher | D Minor | 0 | 7A | 122 BPM | ||
Valsa da dor | Heitor Villa-Lobos, Nelson Freire | E Minor | 1 | 9A | 70 BPM | ||
Violin Concerto No. 2 in A Major, Op. 5: II. Largo | Joseph Boulogne Chevalier de Saint-Georges, Anne-Sophie Mutter, Mutter's Virtuosi | D Minor | 1 | 7A | 104 BPM | ||
La belle excentrique*: I. Marche franco-lunaire II. Valse du mysterieux baiser dans l'oeil III. Can-can Grand Mondain | Erik Satie, Gábor Eckhardt, Klara Kormendi | F Major | 2 | 7B | 147 BPM | ||
Concierto de Aranjuez for Guitar and Orchestra: I. Allegro con spirito - Version 1979 | Joaquín Rodrigo, Narciso Yepes, Philharmonia Orchestra, Luis Antonio García Navarro | D Major | 1 | 10B | 121 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM |
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