Leon Jessel, Kölner Rundfunkorchester, Franz Marszalek, Gitta Lind, Franz Fehringer's 'Schwarzwaldmädel: Dialog 5 - Melodram - Lied. "Lockende Augen" (Malwine, Hans)' came out on September 29, 2014. With Schwarzwaldmädel: Dialog 5 - Melodram - Lied. "Lockende Augen" (Malwine, Hans) being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Leon Jessel, Kölner Rundfunkorchester, Franz Marszalek, Franz Fehringer, Gretl Schörg's "Jessel: Schwarzwaldmädel" album is number 12 out of 30. Schwarzwaldmädel: Dialog 5 - Melodram - Lied. "Lockende Augen" (Malwine, Hans) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Schwarzwaldmädel: Dialog 5 - Melodram - Lied. "Lockende Augen" (Malwine, Hans) by Leon Jessel, Kölner Rundfunkorchester, Franz Marszalek, Gitta Lind, Franz Fehringer to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La jolie fille de Gand: Scene 4 | Adolphe Adam, Queensland Symphony Orchestra, Andrew Mogrelia | B♭ Major | 1 | 6B | 134 BPM | ||
Sinfonietta: III. Allegro | Maya Badian, Brasov State Philharmonic Orchestra, Ilarion Ionescu-Galati | D♭ Major | 2 | 3B | 100 BPM | ||
Ballet Suite No. 3 (arr. L. Atovmyan): Waltz (The Human Comedy) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | A Major | 2 | 11B | 98 BPM | ||
Capriccio espagnol, Op. 34: Alborada: Vivo e strepitoso | Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Keith Clark | A Minor | 2 | 8A | 92 BPM | ||
Thespis: No. 3 Valse | Arthur Sullivan, RTE Concert Orchestra, Andrew Penny | G Major | 0 | 9B | 87 BPM | ||
Sigmund Romberg Suite - Pt 1 - Wanting You - Remastered | Mantovani | G Major | 3 | 9B | 101 BPM | ||
Susan, the Doggie and Me | Percy Whitlock, RTE Concert Orchestra, Gavin Sutherland | E Major | 0 | 12B | 53 BPM | ||
I Feel Pretty (Westside Story) | Mantovani Orchestra | E Major | 0 | 12B | 93 BPM | ||
La vie parisienne: Bacarolle - Instrumental | Jacques Offenbach, Philadelphia Orchestra, Eugene Ormandy | D Major | 2 | 10B | 82 BPM | ||
Jeu d'Esprit, Polka, Op. 196 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | D Major | 4 | 10B | 174 BPM |
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