Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Christian Pollack's ' "Laxenburger Polka, Op. 60" was released on its scheduled release date, November 1, 1997. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Laxenburger Polka, Op. 60's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Strauss, Josef: Edition - Vol. 12". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Laxenburger Polka, Op. 60 is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Laxenburger Polka, Op. 60 by Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Christian Pollack having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem aeternam: Dies irae | Franz von Suppé, Marie Fajtová, Franziska Gottwald, Tomislav Musek, Albert Pesendorfer, Munich Philharmonic Chorus, Philharmonie Festiva, Gerd Schaller | D Minor | 3 | 7A | 88 BPM | ||
Nymphen-Polka, Op. 50 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Walter Hilgers | C Major | 2 | 8B | 75 BPM | ||
Melody in F, Op.3, No.1 - Arr. G. Saborow | Anton Rubinstein, Irina Saizewa, Violin Ensemble of the Bolshoi Theatre, Moscow, Julij Rejentowitsch | F Major | 2 | 7B | 85 BPM | ||
4 Norwegian Dances, Op. 35: No. 2 in A-Major: Allegretto tranquillo e grazioso | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 0 | 11B | 136 BPM | ||
Ischler Walzer | Johann Strauss II, Christian Thielemann, Wiener Philharmoniker | A Major | 4 | 11B | 100 BPM | ||
Laughing Cavalier | Haydn Wood | E Minor | 3 | 9A | 149 BPM | ||
Die Tanzerin, Polka francaise, Op. 227 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Michael Dittrich | E♭ Major | 2 | 5B | 173 BPM | ||
Auf der Jagd (Polka) (Liveaufnahme) | Johann Strauss Orchester | A Major | 7 | 11B | 168 BPM | ||
Sphärenklänge, Walzer, Op. 235 | Josef Strauss, Daniel Barenboim, Wiener Philharmoniker | D Major | 1 | 10B | 187 BPM | ||
Symphonie fantastique, Op. 14, H. 48: II. Un bal: Allegro non troppo | Hector Berlioz, Slovak Radio Symphony Orchestra, Pinchas Steinberg | C Major | 1 | 8B | 118 BPM |