John Hilton, I Fagiolini, Robert Hollingworth's 'Fair Oriana, beauty's Queen' came out on February 1, 2002. The duration of Fair Oriana, beauty's Queen is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Fair Oriana, beauty's Queen's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Triumphs Of Oriana (The)". In this album, this song's track order is #28. Fair Oriana, beauty's Queen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fair Oriana, beauty's Queen by John Hilton, I Fagiolini, Robert Hollingworth having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quis numerare queat: II. Audivit ipse | Loyset Compère, Owain Park, The Gesualdo Six | D Minor | 2 | 7A | 69 BPM | ||
Manuscrit Panmure: Prelude pr la violle et le theorbe in D Minor | Marin Marais, Noémie Lenhof, Nicolas Wattinne | D♭ Minor | 0 | 12A | 71 BPM | ||
O Jupiter / O diva sollers virgo | Adam von Fulda, Ciaramella | F♯ Major | 0 | 2B | 67 BPM | ||
Acis et Galatée, LWV 73: Passacaille | Jean-Baptiste Lully, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
Ductia | Ars Antiqua de Paris | C Major | 3 | 8B | 74 BPM | ||
Toccata cromatica XII | Alessandro Piccinini, Bor Zuljan | B♭ Minor | 1 | 3A | 75 BPM | ||
Intemerata Dei mater: III. Aspiciat facito | Johannes Ockeghem, Owain Park, The Gesualdo Six | F Major | 2 | 7B | 124 BPM | ||
Menuet de Poitou de Couprin le père / Autre de Poitou / Menuet de Poitou / Autre de Poitou par Mle de la Chataigneraye / Autre de Poitou / Menuet de Poitou / Menuet d’Anne Philidor | Charles Couperin, Mademoiselle de la Chataigneraye, Anne Danican Philidor, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
Missa ex B: III. Gratias agimus - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | B♭ Major | 2 | 6B | 72 BPM | ||
Shepheards Holyday or Labour in Vaine | The Broadside Band | B♭ Major | 1 | 6B | 94 BPM |
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