January 1, 1991
Audio information that is featured on Ricercare una melodia, version for cello and tape DELAY by Jonathan Harvey, Frances-Marie Uitti.
Find songs that harmonically matches to Ricercare una melodia, version for cello and tape DELAY by Jonathan Harvey, Frances-Marie Uitti. Listed below are tracks with similar keys and BPM to the track where the track can be harmonically mixed.
|Les espaces acoustiques: IV. Modulations||Stefan Asbury, WDR Sinfonieorchester Köln||F♯ Minor||0||11A||77|
|Preludes Pour Piano: Prelude No. 1 - La colombe||Yvonne Loriod||F♯ Minor||0||11A||63|
|Raduysya (Rejoice): IV. And he returned to his own abode (Nun ist er in sein Haus zurückgekehrt)||Sofia Gubaidulina, Oleh Krysa, Torleif Thedéen||F♯ Minor||0||11A||98|
|Clarinet Concerto: Scherzando||Elliott Carter, Michael Collins, London Sinfonietta, Oliver Knussen||F♯ Minor||2||11A||109|
|Concerto For Piano And Orchestra: 2. Presto - Poco meno mosso - Lento||Witold Lutosławski, Krystian Zimerman, Berliner Philharmoniker, Sir Simon Rattle||F♯ Minor||2||11A||73|
|Preludes Pour Piano: Prelude No. 3 - Le mombre leger||Yvonne Loriod||F♯ Minor||1||11A||134|
|L'Amour de loin: Quatrième acte. Troisième tableau : Tempête. Jaufré : "Je devrais être l'homme le plus heureux du monde"||Kaija Saariaho, Daniel Belcher, Deutsches Symphonie-Orchester Berlin, Kent Nagano, Rundfunkchor Berlin||F♯ Minor||4||11A||106|
|Piano Concerto: Movement I||Unsuk Chin, Myung-Whun Chung, Seoul Philharmonic Orchestra, Sun-Wook Kim||A Major||4||11B||106|
|Bird Concerto with Pianosong||Jonathan Harvey, Hideki Nagano, London Sinfonietta, David Atherton||A Major||2||11B||108|
|Spectral Canon for Conlon Nancarrow||James Tenney||A Major||3||11B||139|
|Piano and String Quartet||Morton Feldman, Kronos Quartet||A Major||0||11B||80|
|Black Swan (after Brahms' 6 Piano Pieces, Op. 118: No. 2. Intermezzo in A Major)||Bright Sheng, Seattle Symphony Orchestra, Gerard Schwarz||A Major||0||11B||69|
|Something Wild in the City: Mary Ann's Theme||Ensemble Recherche||A Major||0||11B||94|
|The Gallant Weaver||James MacMillan, The Sixteen, Harry Christophers||A Major||0||11B||70|
|Ceres||Mark-Anthony Turnage, Sir Simon Rattle, Berliner Philharmoniker||A Major||1||11B||108|
|…und… (first version)||Georg Friedrich Haas, South West German Radio Experimental Studio, Zurich Collegium Novum, Enno Poppe||A Major||1||11B||136|
|Polaris "Voyage for Orchestra"||Thomas Adès, London Symphony Orchestra||A Major||0||11B||66|
|Lear||Pauline Oliveros, Stuart Dempster, Panaiotis||A Major||0||11B||71|
|Piano Trio: I. Pale Yellow||Jennifer Higdon, Anne Akiko Meyers, Alisa Weilerstein, Adam Neiman||A Major||0||11B||128|
|Hilary’s Hoedown||Mark-Anthony Turnage, Hilary Hahn, Cory Smythe||A Major||2||11B||158|
|De Profundis||Sofia Gubaidulina, Elsbeth Moser||A Major||1||11B||91|
|Les espaces acoustiques: V. Transitoires||Stefan Asbury, WDR Sinfonieorchester Köln||A Major||1||11B||78|
|Crossing the Sands||Pauline Oliveros||A Major||1||11B||78|
|Šu For Sheng And Orchestra||Unsuk Chin, Myung-Whun Chung, Seoul Philharmonic Orchestra, Wei Wu||A Major||2||11B||72|
This song is track #3 in Jonathan Harvey, Cello Concerto, Curve with plateaux, Sketches and Philia's dream by Jonathan Harvey, Frances-Marie Uitti, which has a total of 7 tracks. The duration of this track is 5:54 and was released on January 1, 1991. As of now, this track is currently not as popular as other songs out there. Ricercare una melodia, version for cello and tape DELAY doesn't provide as much energy as other songs but, this track can still be danceable to some people.
Ricercare una melodia, version for cello and tape DELAY has a BPM of 136. Since this track has a tempo of 136, the tempo markings of this song would be Allegro (fast, quick, and bright). Based on the tempo, this track could possibly be a great song to play while you are walking. Overall, we believe that this song has a fast tempo.
The key of Ricercare una melodia, version for cello and tape DELAY is F♯ Minor. In other words, for DJs who are harmonically matchings songs, the Camelot key for this track is 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
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