"To Be Sung of a Summer Night on the Water, RT IV No. 2: I. —" by Frederick Delius, The Carice Singers, George Parris had its release date on May 12, 2017. The duration of This song is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. To Be Sung of a Summer Night on the Water, RT IV No. 2: I. —'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 20 in Delius & Bax: Choral Music by The Carice Singers, George Parris. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. To Be Sung of a Summer Night on the Water, RT IV No. 2: I. — is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of To Be Sung of a Summer Night on the Water, RT IV No. 2: I. — by Frederick Delius, The Carice Singers, George Parris is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite for Violin and Orchestra: II. Intermezzo. Allegro molto vivace | Frederick Delius, Tasmin Little, Andrew Davis, BBC Philharmonic Orchestra | C Minor | 3 | 5A | 99 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Sospiri, Op. 70 | Edward Elgar, English Chamber Orchestra, Osian Ellis, Paul Goodwin | F Major | 0 | 7B | 113 BPM | ||
Allegri: Miserere - 01. Miserere mei, Deus | Gregorio Allegri, Peter Phillips, The Tallis Scholars | F Major | 1 | 7B | 69 BPM | ||
Libera me, WAB 21 | Anton Bruckner, Matthew Morley, St. Bride's Church Choir, Fleet Street, Robert Jones | D Major | 0 | 10B | 133 BPM | ||
Two Aquarelles: Gaily, but not too quick | Frederick Delius, English Chamber Orchestra, Benjamin Britten | B Minor | 3 | 10A | 108 BPM | ||
3 Small Tone Poems: No. 1. Summer Evening | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | D Major | 0 | 10B | 90 BPM | ||
Carmina Burana: III. Veris leta facies | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | D Major | 0 | 10B | 127 BPM | ||
Symphony No. 8, Erster Teil: I. Veni, creator spiritus | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, Rundfunkchor Berlin, MDR Leipzig Radio Chorus, Erika Sunnegardh, Susan Bullock, Lilli Paasikivi, Nathalie Stutzmann, Johan Botha, David Wilson-Johnson, John Relyea | E♭ Major | 3 | 5B | 64 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | E Minor | 1 | 9A | 96 BPM |