George Frideric Handel, Academy of St. Martin in the Fields, Michala Petri, George Malcolm, Graham Sheen's 'Recorder Sonata in C major, Op.1, No.7, HWV 365: 1. Larghetto - Adagio' came out on January 1, 1995. The duration of Recorder Sonata in C major, Op.1, No.7, HWV 365: 1. Larghetto - Adagio is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Recorder Sonata in C major, Op.1, No.7, HWV 365: 1. Larghetto - Adagio's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Academy of St. Martin in the Fields's "Handel: Complete Wind Sonatas" album is number 21 out of 70. Recorder Sonata in C major, Op.1, No.7, HWV 365: 1. Larghetto - Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Recorder Sonata in C major, Op.1, No.7, HWV 365: 1. Larghetto - Adagio by George Frideric Handel, Academy of St. Martin in the Fields, Michala Petri, George Malcolm, Graham Sheen to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Concerto Grosso in F Major, Op. 1, No. 1: IV. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | B♭ Major | 0 | 6B | 0 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Music for the Royal Fireworks (arr. piano) | Music Lab Collective, George Frideric Handel | D Major | 0 | 10B | 122 BPM | ||
Ode for the Birthday of Queen Anne, Hwv 74, "eternal Source of Light Divine": Eternal Source of Light Divine | George Frideric Handel, Susanne Rydén, Niklas Eklund, London Baroque, Charles Medlam | D♭ Major | 1 | 3B | 67 BPM | ||
Violin Concerto in E Major, D. 50: I. Allegro | Giuseppe Tartini, Ariadne Daskalakis, Cologne Chamber Orchestra, Helmut Muller-Bruhl | E Major | 1 | 12B | 78 BPM | ||
Concerto In F Major For Flute & Strings, Op.10, No.1, RV 433 - "La tempesta di mare": 3. Presto | Antonio Vivaldi, Lisa Beznosiuk, The English Concert, Trevor Pinnock | E Major | 2 | 12B | 111 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM |
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