G. I. Gurdjieff, Thomas de Hartmann, Georges Ivanovitch Gurdjieff, Thomas de Hartmann, Charles Ketcham made "Music of the Sayyids and the Dervishes, First Series: 2. For Professor Skridlov" available on June 8, 2012. The duration of Music of the Sayyids and the Dervishes, First Series: 2. For Professor Skridlov is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Music of the Sayyids and the Dervishes, First Series: 2. For Professor Skridlov's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Thomas de Hartmann, Georges Ivanovitch Gurdjieff, Thomas de Hartmann, G. I. Gurdjieff, Laurence Rosenthal's "Gurdjieff & De Hartmann: Music for the Piano, Vol. II - Music of the Sayyids and the Dervishes" album is number 2 out of 42. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Music of the Sayyids and the Dervishes, First Series: 2. For Professor Skridlov's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Music of the Sayyids and the Dervishes, First Series: 2. For Professor Skridlov by G. I. Gurdjieff, Thomas de Hartmann, Georges Ivanovitch Gurdjieff, Thomas de Hartmann, Charles Ketcham to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Melancolía | Adrian Rodriguez van der Spoel, Música Temprana | G Minor | 0 | 6A | 74 BPM | ||
Frozen River Flows | Dobrinka Tabakova, Roman Mints, Raimondas Sviackevičius, Donatas Bagurskas | E♭ Major | 0 | 5B | 135 BPM | ||
Désir | Dan Evmark, Paula Gustafsson | D Minor | 1 | 7A | 134 BPM | ||
Recueil de chants, Op. 65: No. 6, Barcarolle | Charles-Valentin Alkan, Bruce Liu | G Minor | 0 | 6A | 70 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
How We Danced - Solo Piano Version | Rosey Chan | A Minor | 0 | 8A | 67 BPM | ||
Nocturnal | Joep Beving | A Minor | 0 | 8A | 57 BPM | ||
Song of the Birds | Pablo Casals, Sol Gabetta | D Major | 1 | 10B | 68 BPM | ||
En vacances: Où l'on entend une vieille boite à musique: | Déodat de Séverac, Anne Queffélec | B♭ Major | 2 | 6B | 106 BPM | ||
Eyes Shut - Nocturne in C Minor | Ólafur Arnalds, Alice Sara Ott | C Minor | 0 | 5A | 107 BPM |
Section: 0.8060381412506104
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