"Julius Caesar, HWV 17, Act I Scene 3: Alas! Reviled and neglected, must I remain here for ever? (Cornelia, Sextus, Cleopatra, Nirenus)" by George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Sarah Walker, Della Jones, Valerie Masterson, David James was released on April 1, 1999. The duration of Julius Caesar, HWV 17, Act I Scene 3: Alas! Reviled and neglected, must I remain here for ever? (Cornelia, Sextus, Cleopatra, Nirenus) is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Julius Caesar, HWV 17, Act I Scene 3: Alas! Reviled and neglected, must I remain here for ever? (Cornelia, Sextus, Cleopatra, Nirenus)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Dame Janet Baker, Valerie Masterson, James Bowman, Della Jones, Sarah Walker, John Tomlinson's "Handel: Julius Caesar" album is number 16 out of 58. On top of that, United Kingdom appears to be the country where this track was created. Julius Caesar, HWV 17, Act I Scene 3: Alas! Reviled and neglected, must I remain here for ever? (Cornelia, Sextus, Cleopatra, Nirenus) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Julius Caesar, HWV 17, Act I Scene 3: Alas! Reviled and neglected, must I remain here for ever? (Cornelia, Sextus, Cleopatra, Nirenus) by George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Sarah Walker, Della Jones, Valerie Masterson, David James to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rondo in D Minor, Wq. 61/4, H. 290 | Carl Philipp Emanuel Bach, Christopher Hinterhuber | B♭ Major | 1 | 6B | 135 BPM | ||
Harp Concerto in A major: 3. Rondeau: Allegretto | Carl Ditters von Dittersdorf, Marisa Robles, Academy of St. Martin in the Fields, Iona Brown | A Major | 1 | 11B | 97 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
Sinfonia in D Major, BWV 1045: I. Allegro | Johann Sebastian Bach, Robert Hill, Cologne Chamber Orchestra, Helmut Müller-Brühl | D Major | 3 | 10B | 98 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
La Petite Pince-Sans-Rire: 21ème ordre, 4ème livre | François Couperin, Iddo Bar-Shaï | E Minor | 0 | 9A | 76 BPM | ||
Abdelazer, Z.570: 2. Rondeau | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | D♭ Minor | 1 | 12A | 97 BPM | ||
Concerto for three violins BWV 1064R in D Major: Concerto for three violins BWV 1064R in D Major: II. Adagio | Johann Sebastian Bach, Freiburger Barockorchester, Petra Mullejans, Anne-Katharina Schreiber, Gottfried Von Der Goltz | B♭ Minor | 1 | 3A | 69 BPM | ||
Trio Sonata for 2 Violins and Continuo in G Minor, HWV 393 "Dresden" No. 2: III. Largo (Arr. for Oboe, Violin, Harpsichord and Orchestra by Andreas Tarkmann) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Jakub Haufa, Monika Razynska | B♭ Major | 2 | 6B | 143 BPM |
Section: 0.5436186790466309
End: 0.5520026683807373