"Six Welsh Oxen Songs for Piano and Voice: No. 3, Margam" by Grace Williams, Jeremy Huw Williams, Paula Fan was released on November 1, 2017. The duration of Six Welsh Oxen Songs for Piano and Voice: No. 3, Margam is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Six Welsh Oxen Songs for Piano and Voice: No. 3, Margam's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Grace Williams, Jeremy Huw Williams, Rachel Kay Green, Paula Fan's "My Last Duchess: The Songs of Grace Williams" album is number 15 out of 28. On top of that, United Kingdom appears to be the country where this track was created. Six Welsh Oxen Songs for Piano and Voice: No. 3, Margam is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Six Welsh Oxen Songs for Piano and Voice: No. 3, Margam by Grace Williams, Jeremy Huw Williams, Paula Fan to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prélude à l'après-midi d'un faune | Claude Debussy, Berliner Philharmoniker, Claudio Abbado, Emmanuel Pahud | A♭ Minor | 0 | 1A | 84 BPM | ||
Homework Suite: Berceuse | Gordon Getty, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 0 | 4B | 66 BPM | ||
Poulenc: Flute Sonata, FP 164: II. Cantilena | Francis Poulenc, Emmanuel Pahud, Eric Le Sage | B♭ Minor | 0 | 3A | 64 BPM | ||
Le Tic-Toc-Choc | François Couperin, Sarah O'Brien | A Major | 1 | 11B | 87 BPM | ||
Bilder aus Osten, Op. 66 (Arr. for String Orchestra by Friedrich Hermann): II. Nicht schnell und sehr gesangvoll zu spielen | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | D♭ Major | 0 | 3B | 71 BPM | ||
Irish Lament | Ernest John Moeran, Gerald Peregrine, Antony Ingham | D Minor | 0 | 7A | 133 BPM | ||
Morpheus | Rebecca Clarke, Philip Dukes, Sophia Rahman | E♭ Major | 0 | 5B | 64 BPM | ||
Suite No. 3, Op. 19, No. 1 (version for 2 violins and string orchestra): I. Prelude: Adagio | Kurt Atterberg, Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | D♭ Minor | 2 | 12A | 94 BPM | ||
La source, Op. 44 | Alphonse Hasselmans, Eva Oertle, Consuelo Giulianelli | F Major | 1 | 7B | 135 BPM | ||
In Summer Woods (arr. J. Lloyd Webber for 2 cellos and piano) | John Ireland, Julian Lloyd Webber, Jiaxin Cheng, John Lenehan | D Major | 1 | 10B | 87 BPM |
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