"Requiem, K. 626: XII. Agnus Dei" by Amor Artis Chorale was released on April 27, 2004. Requiem, K. 626: XII. Agnus Dei appears to be safe for all ages as it is not explicit. The track order of this song in English Chamber Orchestra, Johannes Somary's "Mozart: Sacred Choral Masterpieces" album is number 12 out of 25. On top of that, United States appears to be the country where this track was created. Requiem, K. 626: XII. Agnus Dei is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem, K. 626: XII. Agnus Dei by Amor Artis Chorale to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messiah, HWV 56: Part 1: Glory to God (Chorus) | Nikolaus Harnoncourt | D♭ Major | 1 | 3B | 108 BPM | ||
Missa Solemnis: II. Gloria in excelsis Deo | Leopold Mozart, Bayerische Kammerphilharmonie, Alessandro De Marchi, Das Vokalprojekt | C Major | 2 | 8B | 102 BPM | ||
Charpentier : Médée, Prologue: "Louis est triomphant" (Chef du peuple) | Marc-Antoine Charpentier, William Christie, Les Arts Florissants | B Major | 1 | 1B | 98 BPM | ||
Mysliveček: Il Bellerofonte: "Pria ch’io perda" (Ariobate) | Josef Mysliveček, Vaclav Luks, Krystian Adam | A Major | 1 | 11B | 78 BPM | ||
Motet "Der Geist hilft unserer Schwachheit auf" BWV 226 | Amor Artis Chorale, Johannes Somary | B♭ Major | 1 | 6B | 85 BPM | ||
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 2, Stehe still | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | E♭ Major | 1 | 5B | 69 BPM | ||
Languet anima mea BWV deest 1006: V. Alleluja | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | D♭ Minor | 2 | 12A | 120 BPM | ||
Mass No. 2 in D Minor, "Messe Solennelle": Credo: Et resurrexit | Luigi Cherubini, Monika Wiebe, Helena Jungwirth, Rodrigo Orrego, Wolf Matthias Friedrich, Munich Motet Choir, Munich Philharmonic Orchestra, Hans Rudolf Zöbeley | D Major | 2 | 10B | 66 BPM | ||
Bach, CPE: Magnificat in D Minor, Wq. 215: VI. Deposuit potentes | Carl Philipp Emanuel Bach, Geraint Jones, Helen Watts, Wilfred Brown, Geraint Jones Orchestra | F Major | 1 | 7B | 85 BPM | ||
Bach, CPE: Magnificat in D Minor, Wq. 215: VII. Suscepit Israel | Carl Philipp Emanuel Bach, Geraint Jones, Helen Watts, Geraint Jones Orchestra | D Major | 4 | 10B | 121 BPM |
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